There is a rich history of incarceration literature produced by Niseis (second-generation, American-born), some of which appeared very shortly after the end of the war. This chapter focuses on selected representative texts written by Niseis, and published up through the 1970s. This body of work represents varied and deeply felt responses that are often coded critiques of the Japanese American incarceration. Three of the most foundational texts about the incarceration appeared within eight years of its official end: Miné Okubo's Citizen 13660, Hisaye Yamamoto's The Legend of Miss Sasagawara, and Monica Sone's Nisei Daughter. Notable in all three texts is an overt description or narrative of camp life and a covert critique of the racism and failure of an espoused U.S. democracy. As a dissenting text, John Okada's No-No Boy was direct in its depiction of the cost wrought by the war, incarceration, and reductive, racist notions of citizenship.