Book contents
- The Cambridge Handbook of Material Culture Studies
- Cambridge Handbooks in Anthropology
- The Cambridge Handbook of Material Culture Studies
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Case Studies
- Contributors
- Acknowledgments
- 1 Suitcases, Selfies, and the Global Environment
- Part I Scholarly Genealogies
- Part II Relevant Pasts
- Part III Engaging Across Cultures and Around the Globe
- Part IV Cultural Production and Reproduction
- 15 Modes of Representation
- 16 Aesthetics
- 17 Objects Are Alive
- 18 Technology
- Part V Experience
- Part VI Materiality and the Digital World
- Bibliography
- Index
17 - Objects Are Alive
Producing Animacy in the Inanimate
from Part IV - Cultural Production and Reproduction
Published online by Cambridge University Press: 02 June 2022
- The Cambridge Handbook of Material Culture Studies
- Cambridge Handbooks in Anthropology
- The Cambridge Handbook of Material Culture Studies
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Case Studies
- Contributors
- Acknowledgments
- 1 Suitcases, Selfies, and the Global Environment
- Part I Scholarly Genealogies
- Part II Relevant Pasts
- Part III Engaging Across Cultures and Around the Globe
- Part IV Cultural Production and Reproduction
- 15 Modes of Representation
- 16 Aesthetics
- 17 Objects Are Alive
- 18 Technology
- Part V Experience
- Part VI Materiality and the Digital World
- Bibliography
- Index
Summary
While some aspects of the material world occur naturally, many are affected by various processes of production. Making, craft, industry, and work are all categories important for understanding the formation and alteration of much of the human-made and shaped world. The author focuses on animating objects in the Caribbean, Central, and South America, and undertakes comparisons with the Western tradition.
- Type
- Chapter
- Information
- The Cambridge Handbook of Material Culture Studies , pp. 402 - 435Publisher: Cambridge University PressPrint publication year: 2022