Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-23T04:28:28.949Z Has data issue: false hasContentIssue false

69 - Women’s Culture

from Part VII - Popular Culture

Published online by Cambridge University Press:  17 August 2019

By
Alison Findlay
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

Anne of DenmarkaudienceballadBiblebirthboy actorscostumedeathElizabeth IFletcher, JohngenderJacobean Englandjestperformativityproverbqueensongtheaterweaker vessel
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 529 - 536
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Bentley, Thomas. The Monument of Matrones: containing seven Lampes of virginitie. London: 1582.Google Scholar
Breton, Nicholas. Crossing of prouerbs Crosse-answeres and crosse-humours. London: 1616.Google Scholar
Bristol, Michael. “In Search of the Bear: Spatiotemporal Form and the Heterogeneity of Economies in The Winter’s Tale.” Shakespeare Quarterly 42.2 (1991): 145–67.Google Scholar
Brown, Pamela Allen. Better a Shrew than a Sheep. Ithaca: Cornell UP, 2003.CrossRefGoogle Scholar
Cressy, David. Birth, Marriage, and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England. Oxford: Oxford UP, 1997.CrossRefGoogle Scholar
Findlay, Alison. Women in Shakespeare: A Dictionary. London: Continuum, 2010.Google Scholar
Fletcher, Anthony. Gender, Sex and Subordination in England, 1500–1800. New Haven: Yale UP, 1995.Google Scholar
Gillespie, Stuart. “Shakespeare and Popular Song.” Shakespeare and Elizabethan Popular Culture. Ed. Gillespie, Stuart and Rhodes, Neil. Padstow: Cengage Learning, 2006. 174–92.CrossRefGoogle Scholar
“Good Counsell for Young Wooers shewing the way, the meanes, and the skill, to wooe any woman, be she what she will.” London: M. P[arker], 1635. The Early English Books Online.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. Cambridge: Cambridge University Press, 1987.Google Scholar
Henderson, Katherine Usher, and McManus, Barbara F.. Half Humankind: Contexts and Texts of the Controversy about Women in England, 1540–1640. Urbana: U of Illinois P, 1985.Google Scholar
Howard, Jean E. Playgoing in Shakespeare’s London. London: Routledge, 1994.Google Scholar
Korda, Natasha. Shakespeare’s Domestic Economies: Gender and Property in Early Modern England. Philadelphia: U of Penn P, 2002.Google Scholar
Lamb, Marty Ellen. The Popular Culture of Shakespeare, Spenser and Jonson. London: Routledge, 2006.CrossRefGoogle Scholar
Newcomb, Lori Humphrey. Reading Popular Romance in Early Modern England. New York: Columbia UP, 2002.Google Scholar
Orgel, Stephen. Impersonations. Cambridge: Cambridge University Press, 1996.Google Scholar
Overbury, Thomas. Thomas Overbury His wife ... whereunto are annexed new newes and characters. London: 1616.Google Scholar
Reay, Barry, ed. Popular Culture in Seventeenth Century England. London: Routledge, 1985.Google Scholar
Smith, Bruce R. “The Circulation of Ballads in Cultural Memory.” Shakespeare and Elizabethan Popular Culture. Ed. Gillespie, Stuart and Rhodes, Neil. Padstow: Cengage Learning, 2006. 193–217 (esp. 195).CrossRefGoogle Scholar
van Gennep, Arnold. Rites of Passage. 1909. Trans. Vizedom, Monika B. and Caffee, Gabrielle L.. 1960. London: Routledge, 2004.Google Scholar
Woodbridge, Linda. Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620. Urbana: U of Illinois P, 1984.Google Scholar

Further reading

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. London: Routledge, 1992.Google Scholar
Amussen, Susan. An Ordered Society: Gender and Class in Early Modern England. Oxford: Blackwell, 1988.Google Scholar
Capp, Bernard. When Gossips Meet: Women, Family and Neighbourhood in Early Modern England. Oxford: Oxford UP, 2004.Google Scholar
Callaghan, Dympna, ed. A Feminist Companion to Shakespeare. Oxford: Blackwell, 2000.Google Scholar
Dash, Irene. Wooing, Wedding and Power: Women in Shakespeare’s Plays. New York: Columbia UP, 1981.Google Scholar
Dusinberre, Juliet. Shakespeare and the Nature of Women. 2nd ed. Houndmills: Palgrave Macmillan, 1996.CrossRefGoogle Scholar
Findlay, Alison. A Feminist Perspective on Renaissance Drama. Oxford: Blackwell, 1998.Google Scholar
Jardine, Lisa. Reading Shakespeare Historically. London: Routledge, 1996.Google Scholar
Jones, Ann Rosalind, and Stallybrass, Peter. Renaissance Clothing and the Materials of Memory. Cambridge: Cambridge University Press, 2000.Google Scholar
Levin, Carole. The Heart and Stomach of a King: Elizabeth I and the Politics of Sex and Power. Philadelphia: U of Pennsylvania P, 1994.Google Scholar
Mendelson, Sara, and Crawford, Patricia. Women in Early Modern England. Oxford: Oxford UP, 1998.Google Scholar
A Most Pleasant ballad of Patient Grissell To the tune of the Brides good morrow. London: 1600.Google Scholar
Rackin, Phillis. Shakespeare and Women. Oxford: Oxford UP, 2005.Google Scholar
Rutter, Carol. Enter the Body: Women and Representation on Shakespeare’s Stage. London: Routledge, 2001.Google Scholar
Watt, Tessa. Cheap Print and Popular Piety, 1550–1640. Cambridge: Cambridge University Press, 1991.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×