Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Introduction
- 79 Sorts, Classes, Hierarchies
- 80 Trade and Commerce: Mercantilism
- 81 Shakespeare’s Money
- 82 Birth, Marriage, and Death
- 83 Gender Relations and the Position of Women
- 84 The Law in Shakespeare’s Theater
- 85 Education
- 86 Race and Nation
- 87 England’s Place in the International Order
- 88 Shakespeare’s National Types
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
80 - Trade and Commerce: Mercantilism
from Part IX - England, 1560–1650
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Introduction
- 79 Sorts, Classes, Hierarchies
- 80 Trade and Commerce: Mercantilism
- 81 Shakespeare’s Money
- 82 Birth, Marriage, and Death
- 83 Gender Relations and the Position of Women
- 84 The Law in Shakespeare’s Theater
- 85 Education
- 86 Race and Nation
- 87 England’s Place in the International Order
- 88 Shakespeare’s National Types
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 625 - 631Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Appleby, Joyce Oldham. Economic Thought and Ideology in Seventeenth-Century England. Princeton: Princeton UP, 1978.Google Scholar
Cohen, Walter. “The Merchant of Venice and the Possibilities of Historical Criticism.” Materialist Shakespeare: A History. Ed. Kamps, Ivo. London: Verso, 1995. 71–92.Google Scholar
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Further reading
Aaron, Mellissa D. Global Economics: A History of the Theater Business, the Chamberlain’s/King’s Men, and Their Plays, 1599–1642. Newark: U of Delaware P, 2005.Google Scholar
Bruster, Douglas. Drama and the Market in the Age of Shakespeare. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare. 3rd ed. Durham: Duke UP, 2004.Google Scholar
Halpern, Richard. The Poetics of Primitive Accumulation: English Renaissance Literature and the Genealogy of Capital. Ithaca: Cornell UP, 1991.CrossRefGoogle Scholar
Harris, Jonathan Gil. Sick Economies: Drama, Mercantilism and Disease in Shakespeare’s England. Philadelphia: U of Pennsylvania P, 2004.CrossRefGoogle Scholar
Hawkes, David. Idols of the Marketplace: Idolatry and Commodity Fetishism in English Literature, 1580–1680. New York: Palgrave, 2001.CrossRefGoogle Scholar
Leinwand, Theodore. Finance and Society in Early Modern England. Cambridge: Cambridge University Press, 1999.CrossRefGoogle Scholar
Warley, Christopher. Sonnet Sequences and Social Distinction in Renaissance England. Cambridge: Cambridge University Press, 2005.Google Scholar
Woodbridge, Linda, ed. Money and the Age of Shakespeare. New York: Palgrave Macmillan, 2003.CrossRefGoogle Scholar