Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Introduction
- 224 The Practicalities of Editing: Measure for Measure
- 225 Popular versus Scholarly Texts
- 226 The Texts of Shakespeare and Textual Theory
- 227 The Digital Text and Beyond
- 228 Case Study 1: King Lear
- 229 Case Study 2: The Tempest
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
226 - The Texts of Shakespeare and Textual Theory
from Part XXIII - Printing and Reception History
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Introduction
- 224 The Practicalities of Editing: Measure for Measure
- 225 Popular versus Scholarly Texts
- 226 The Texts of Shakespeare and Textual Theory
- 227 The Digital Text and Beyond
- 228 Case Study 1: King Lear
- 229 Case Study 2: The Tempest
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1635 - 1641Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Brooks, Douglas. From Playhouse to Printing House: Drama and Authorship in Early Modern England. Cambridge: Cambridge University Press, 2000.Google Scholar
Chartier, Roger. Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer. Philadelphia: U of Pennsylvania P, 1995.CrossRefGoogle Scholar
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge University Press, 2003.Google Scholar
Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge University Press, 2001.Google Scholar
Marcus, Leah. Unediting the Renaissance: Shakespeare, Marlowe, Milton. London: Routledge, 1996.Google Scholar
McGann, Jerome J. A Critique of Modern Textual Criticism. Chicago: U of Chicago P, 1983.Google Scholar
McKenzie, D. F. Bibliography and the Sociology of Texts: The Panizzi Lectures, 1985. London: The British Library, 1986.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare’s Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Saeger, James P., and Fassler, Christopher J.. “The London Professional Theater, 1576–1642: A Catalogue and Analysis of the Extant Printed Plays.” Research Opportunities in Renaissance Drama 34 (1995): 63–110.Google Scholar