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1 - Space into Place

from Part I - Mapping Shakespeare’s World

Published online by Cambridge University Press:  17 August 2019

By
Susan Bennett
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

archaeologyarchitectureBergeron, DavidBly, MaryBrook, PeterCasey, EdwardConnerton, PaulCresswell, TimenvironmentGlobe (playhouse)Gresham, ThomasHeywood, ThomasHoward, Jean E.LondonLopez, JeremyMcAuley, GaymemoryMiddleton, ThomasPearson, MikePlaceRiver ThamesRoach, JosephRose (playhouse)Sanders, Juliesite-specificspacestageTaylor, GaryWhitefriars
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 14 - 17
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bergeron, David M. “Wherefore Verona in The Two Gentlemen of Verona?” Comparative Drama 41.4 (winter 2007–08): 423–38.CrossRefGoogle Scholar
Bly, Mary. “Playing the Tourist in Early Modern London: Selling the Liberties Onstage.” Publications of the Modern Language Association of America 122.1 (January 2007): 61–71.CrossRefGoogle Scholar
Casey, Edward. “How to Get from Space to Place in a Fairly Short Stretch of Time: Phenomenological Prolegomena.” Senses of Place. Ed. Feld, Steven and Basso, Keith H.. Santa Fe: School of American Research, 1996. 13–52.Google Scholar
Connerton, Paul. How Societies Remember. Cambridge: Cambridge University Press, 1989.CrossRefGoogle Scholar
Cresswell, Tim. Place: A Short Introduction. Malden: Blackwell, 2004.Google Scholar
Howard, Jean E. Theatre of a City: The Places of London Comedy, 1598–1642. Philadelphia: U of Pennsylvania P, 2007.CrossRefGoogle Scholar
Lopez, Jeremy. Theatrical Convention and Audience Response in Early Modern Drama. Cambridge: Cambridge University Press, 2003.Google Scholar
McAuley, Gay. “Place in the Performance Experience.” Modern Drama 46.4 (2003): 598–613.CrossRefGoogle Scholar
Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: U of Chicago P, 1988.Google Scholar
Pearson, Mike. In Comes I: Performance, Memory and Landscape. Exeter: U of Exeter P, 2006.Google Scholar
“Rebuilding the Globe.” Shakespeare’s Globe. http://www.shakespearesglobe.com/about-us/history-of-the-globe/rebuilding-the-globe. Accessed 6 June 2013.Google Scholar
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia UP, 1996.Google Scholar
Sanders, Julie. The Cultural Geography of Early Modern Drama, 1620–1650. Cambridge: Cambridge University Press, 2011.Google Scholar
Taylor, Gary. “Shakespeare’s Mediterranean Measure for Measure.” Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Congress, Valencia, 2001. Ed. Clayton, Thomas, Brock, Susan, and Forés, Vicente. Newark: U of Delaware P, 2004. 243–69.Google Scholar

Further reading

Dillon, Janette. The Language of Space in Court Performance, 1400–1625. Cambridge: Cambridge University Press, 2010.Google Scholar
Ingold, Tim. The Perception of the Environment: Essays on Livelihood, Dwelling and Skill. London: Routledge, 2000.Google Scholar
Pearson, Mike. Site-Specific Performance. Basingstoke: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Pearson, Mike, and Shanks, Mike. Theatre/Archaeology. London: Routledge, 2001.Google Scholar
Tompkins, Joanne, and Birch, Anna, eds. Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan, 2012.Google Scholar

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