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241 - Shakespeare into Fiction

from Part XXIV - Shakespeare and the Book

Published online by Cambridge University Press:  17 August 2019

By
Diana Henderson
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

All for LoveAmerican ShakespeareAurora FloydBetween the ActsBottom the WeaverBraddon, Mary ElizabethCardenio“Circe”/NighttownThe Confidence-ManCymbelineDavenant, WilliamDavid CopperfieldDickens, Charlesdistance from Shakespearedouble falsehoodDryden, JohnErickson, Peterfeminist theatrical adaptationsFletcher, JohnGreat ExpectationsHamletThe Heart of MidlothianHe Knew He Was RightIndigoJohn, JulietJoyce, JamesKenilworthKing LearLocke, MatthewMacbethMama DayMaus, KatherineMelville, HermanMoby DickmusicalsMrs. Ramsaynarrative/storytellingThe Nature of BloodNaylor, GloriaOthelloPhillips, CarylPolitics of Adaptationpopular fictionpostmodernismquotationRestoration adaptationsRomanticismRosencrantz and Guildenstern Are DeadScott, Sir WalterShakespeare as characterShakespeare as transcendentSonnetsspin-offsStoppard, Tomstructural allusionTate, NahumThe Tempest, or The Enchanted IslandTheobald, LewisTimon of AthensTo The LighthousetranslationsTrollope, AnthonyTwelfth NightUlyssesWarner, MarinaThe Woman’s Prize, or The Tamer TamedThe Women of Brewster Placewomen writersWoolf, Virginia
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1707 - 1715
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Beck, Richard. “Hamlet and the Region of Death: What Franco Moretti Found by Turning Shakespeare into Data.” Boston Globe 29 May 2011. http://archive.boston.com/bostonglobe/ideas/articles/2011/05/29/hamlet_and_the_region_of_death/.Google Scholar
Braddon, Mary Elizabeth. Aurora Floyd. Ed. Nemesvari, Richard and Surridge, Lisa. Toronto: Broadview, 1998.Google Scholar
Di Battista, Maria. Virginia Woolf’s Major Novels: The Fables of Anon. New Haven: Yale UP, 1980.Google Scholar
Erickson, Peter. Rewriting Shakespeare, Rewriting Ourselves. Berkeley: U of California P, 1991.CrossRefGoogle Scholar
Fox, Alice. Virginia Woolf and the Literature of the English Renaissance. Oxford: Clarendon, 1990.CrossRefGoogle Scholar
Glavin, John. “‘To Make the Situation Natural’: Othello at Mid-century.” Victorian Shakespeare. Vol. 2: Literature and Culture. Ed. Marshall, Gail and Poole, Adrian. Basingstoke: Palgrave Macmillan, 2003. 30–45.CrossRefGoogle Scholar
Henderson, Diana. Collaborations with the Past: Rewriting Shakespeare across Time and Media. Ithaca: Cornell UP, 2006.Google Scholar
John, Juliet. “Dickens and Hamlet.” Victorian Shakespeare. Vol. 2: Literature and Culture. Ed. Marshall, Gail and Poole, Adrian. Basingstoke: Palgrave Macmillan, 2003. 46–60.Google Scholar
Joyce, James. Ulysses. New York: Vintage, 1961.Google Scholar
Marshall, Gail, and Poole, Adrian, eds. Victorian Shakespeare. Vol. 2: Literature and Culture. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Maus, Katherine Eisaman. “Arcadia Lost: Politics and Revision in the Restoration Tempest.” Renaissance Drama 13 (1982): 189–209.CrossRefGoogle Scholar
Melville, Herman. The Confidence-Man: His Masquerade. Stilwell: Digireads.com, 2008. http://books.google.com/books?id=SJEqjEtRXtgC.Google Scholar
Melville, Herman. Moby Dick; or the Whale. [n.p.]: Forgotten Books, 2008. http://books.google.com/books?id=iqbHsfS5UW8C.CrossRefGoogle Scholar
Sir Scott, Walter. The Heart of Midlothian. Ed. Lamont, Claire. Oxford: Oxford UP, 1982.Google Scholar
Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. New York: Grove Weidenfeld, 1967.Google Scholar
Woolf, Virginia. Orlando: A Biography. New York: Harcourt, Brace, Jovanovich, 1956.Google Scholar
Woolf, Virginia. To the Lighthouse. Harvest/HBJ edition. New York: Harcourt Brace Jovanovich, 1989.Google Scholar

Further reading

Bristol, Michael D. Big-Time Shakespeare. London: Routledge, 1996.Google Scholar
Fischlin, Daniel, and Fortier, Mark. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. London: Routledge, 2000.Google Scholar
Howard, Jean E., and O’Connor, Marion F., eds. Shakespeare Reproduced: The Text in History and Ideology. New York: Routledge, 1990.Google Scholar
Lanier, Douglas. Shakespeare and Modern Popular Culture. Oxford: Oxford UP, 2002.Google Scholar
Massai, Sonia, ed. World-wide Shakespeares: Local Appropriations in Film and Performance. London: Routledge, 2005.Google Scholar
Novy, Marianne, ed. Cross-Cultural Performances: Differences in Women’s Re-Visions of Shakespeare. Urbana: U of Illinois P, 1993.Google Scholar
Shaughnessy, Robert, ed. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Warner, Marina. Indigo. New York: Simon and Schuster, 1992.Google Scholar

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