Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
234 - Shakespeare in Quotation Marks
from Part XXIV - Shakespeare and the Book
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1694 - 1696Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Armstrong, Jane, comp. The Arden Dictionary of Shakespeare Quotations. Shakespeare, Arden. London: Thomson Learning, 1999.Google Scholar
de Grazia, Margreta. “Shakespeare in Quotation Marks.” The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Ed. Marsden, Jean I.. New York: St. Martin’s, 1991. 57–71.Google Scholar
Garber, Marjorie. ““ ”(Quotation Marks).” Critical Inquiry 25.4 (1999): 653–79. Reprinted in a slightly revised form in Garber, Marjorie, Quotation Marks. New York: Routledge, 2003. 7–32.Google Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon, 1991.CrossRefGoogle Scholar
Lesser, Zachary, and Stallybrass, Peter. “The First Literary Hamlet and the Commonplacing of Professional Plays.” Shakespeare Quarterly 59.4 (winter 2008): 371–420.CrossRefGoogle Scholar
Further reading
Bruster, Douglas. Quoting Shakespeare: Form and Culture in Early Modern Drama. Lincoln: U of Nebraska P, 2000.Google Scholar
Murphy, Andrew, ed. A Concise Companion to Shakespeare and the Text. Oxford: Blackwell, 2007.CrossRefGoogle Scholar
Thatcher, David. “Shakespeare as Phrasemaker: Attributions and Misattributions.” The Shakespeare Newsletter 52.4 (winter 2002): 95–96, 98.Google Scholar
Whall, Helen M. “Bartlett’s Evolving Shakespeare.” Shakespeare after Mass Media. Ed. Burt, Richard. Basingstoke: Palgrave, 2002. 287–94.Google Scholar