Shakespeare and Media History

doi:10.1017/9781316137062.P28

Part XXVIII - Shakespeare and Media History

Published online by Cambridge University Press: 17 August 2019

Katherine Rowe

Edited by

Bruce R. Smith

Edited in association with

Katherine Rowe

With

Ton Hoenselaars ,

Akiko Kusunoki ,

Andrew Murphy and

Aimara da Cunha Resende

Show author details

Bruce R. Smith: Affiliation:
University of Southern California
Katherine Rowe: Affiliation:
Smith College, Massachusetts
Ton Hoenselaars: Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki: Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy: Affiliation:
Trinity College Dublin
Aimara da Cunha Resende: Affiliation:
Universidade Federal de Minas Gerais, Brazil

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Keywords

adaptation adaptation as a global process animation appropriation audience audio documentary film Internet media media convergence play-within-the-film radio reception recycling remediation revival screen television timed media video BBC BBC Radio broadcast drama Gielgud, Val Henry IV, Part 1 Henry IV, Part 2 Julius Caesar radio radio reception radio history Twelfth Night adaptation broadcast drama “high” and “low” culture highbrow lowbrow radio radio audiences remediation USA Welles, Orson audio recording Booth, Edwin compact disc (CD)complete works Gielgud, Sir John Irving, Sir Henry Marlowe Society phonograph phonography radio Rehan, Ada Terry, Ellen Tree, Herbert Beerbohm Welles, Orson access democratization liveness mass audiences mass media adaptation audience Branagh, Kenneth cinema DVD film Luhrmann, Baz movies multimedia multiplex Olivier, Laurence silent film theater Zeffirelli, Franco film foreign film global globalization international film non-Anglophone film Shakespeare subtitle transnational transnationalism world cinema adaptation cinema cross-dressing film film-within-the-film gender performance global glocal heritage identity politics masculinity movies musical parody play-within-the-film play-within-the-play queer rehearsal-within-the-film remediation Shakespeare in Love spin-off stage beauty theatricality transnational actuality representation authenticity authority Bardolatry biography biopic cinema vérité direct cinema realism documentary film radio reception rehabilitation spectator television acting Shakespeare poetry and performance quoting Shakespeare sexuality (homosexuality, bisexuality)Shakespeare on film Shakespeare online Shakespeare on television Shakespeare on video Shakespeare’s biography Sonnets teaching shakespeare adaptation animated typography animation animé cartoons claymation cutout animation Disney, Walt Eisenstein, Sergey stop action April 23 Beatles cinema film Google Hamlet media technologies YouTube video(s)

Type: Chapter
Information: The Cambridge Guide to the Worlds of Shakespeare , pp. 1907 - 1974

DOI: https://doi.org/10.1017/9781316137062.P28 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2016

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Book contents

Part XXVIII - Shakespeare and Media History

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Book contents

Part XXVIII - Shakespeare and Media History

Keywords

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References

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Further reading

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