Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Introduction
- 10 European Theater Scene
- 11 Players and the Playing Business
- 12 Playhouses
- 13 Audiences and Playgoing
- 14 Properties
- 15 Costumes
- 16 Cosmetics
- 17 Playwriting
- 18 Production Processes
- 19 Stage Directions and the Stage Space
- 20 Music
- 21 The Prehistory of Shakespearean Theater
- 22 Entertainments: Baiting, Dances, Contests
- 23 Court Masques
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
14 - Properties
from Part II - Theater
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Introduction
- 10 European Theater Scene
- 11 Players and the Playing Business
- 12 Playhouses
- 13 Audiences and Playgoing
- 14 Properties
- 15 Costumes
- 16 Cosmetics
- 17 Playwriting
- 18 Production Processes
- 19 Stage Directions and the Stage Space
- 20 Music
- 21 The Prehistory of Shakespearean Theater
- 22 Entertainments: Baiting, Dances, Contests
- 23 Court Masques
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 101 - 105Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Brome, Richard. The Antipodes. The Early English Books Online. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99842424.Google Scholar
Dessen, Alan C., and Thompson, Leslie. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 1999.Google Scholar
Harris, Jonathan Gil, and Korda, Natasha. Staged Properties in Early Modern English Drama. Cambridge: Cambridge University Press, 2002.Google Scholar
Victoria and Albert Museum. “Stool.” V&A Search the Collections. http://collections.vam.ac.uk/. Accessed 10 June 2013.Google Scholar
Further reading
Caton, Kristina. “The Joint-Stool on the Early Modern Stage: Witches, Wives, and Murderers in Macbeth and Arden of Faversham.” Staging the Superstitions of Early Modern Europe. Eds. Theile, Verena and McCarthy, Andrew. Aldershot: Ashgate, 2013. 129–46.Google Scholar
Schwyzer, Philip. “Trophies, Traces, Relics, and Props: The Untimely Objects of Richard III.” Shakespeare Quarterly 63 (2012): 297–327.CrossRefGoogle Scholar
Sofer, Andrew. “Properties.” The Oxford Handbook of Early Modern Theatre. Ed. Dutton, Richard. Oxford: Oxford UP, 2009. 560–74.Google Scholar
Williamson, Elizabeth. The Materiality of Religion in Early Modern English Drama. Aldershot: Ashgate, 2009.Google Scholar