Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-23T07:29:04.555Z Has data issue: false hasContentIssue false

18 - Production Processes

from Part II - Theater

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Sir Baker, Richard. Theatrum Redivivum. London: 1662.Google Scholar
Bawcutt, N. W., ed. The Control and Censorship of Caroline Drama. Oxford: Clarendon, 1996.Google Scholar
Brathwait, Richard. The Golden Fleece. London: 1611.Google Scholar
Braunmuller, A. R., ed. A Seventeenth-Century Letter-Book: A Facsimile Edition of Folger MS v.a.321. Newark: U of Delaware P, 1983.Google Scholar
Brome, Richard. The Antipodes. London: 1640.Google Scholar
Cartwright, William. The Plays and Poems. Ed. Evans, G. Blakemore. Madison: U of Wisconsin P, 1951.Google Scholar
Chapman, George. The Plays of George Chapman: The Comedies. Ed. Holaday, Allan et al. Urbana: U of Illinois P, 1970.Google Scholar
Dekker, Thomas. The Non-Dramatic Works. Ed. Grosart, Alexander B.. 5 vols. London: Huth Library, 1885.Google Scholar
Fennor, William. Fennors Descriptions. London: 1616.Google Scholar
Foakes, R. A. Henslowe’s Diary. 2nd ed. Cambridge: Cambridge University Press, 2002.Google Scholar
Gosson, Stephen. The Ephemerides of Phialo. London: T. Dawson, 1579.Google Scholar
Greg, W. W. Henslowe Papers. London: A. H. Bullen, 1907.Google Scholar
Greg, W. W. ed. The Book of Sir Thomas More. Oxford: Malone Society Reprints, 1961.Google Scholar
Greg, W. W. ed. Two Elizabethan Stage Abridgements: “The Battle of Alcazar” and “Orlando Furioso.” Oxford: Malone Society Reprints, 1923.Google Scholar
Jonson, Ben. The New Inne. London: 1631.Google Scholar
Leishman, J. B., ed. The Three Parnassus Plays. London: Ivor Nicholson and Watson, 1949.Google Scholar
Marston, John. The Plays. Ed. Wood, H. Harvey. 3 vols. Edinburgh: Oliver and Boyd, 1934.Google Scholar
McMillan, Scott. “The Sharer and His Boy: Rehearsing Shakespeare’s Women.” From Script to Stage in Early Modern England. Ed. Holland, Peter and Orgel, Stephen. Basingstoke: Palgrave, 2004.Google Scholar
Meres, Francis. Palladis Tamia. London: 1598.Google Scholar
Nashe, Thomas. The Works. Ed. McKerrow, R. B., Rev. ed. Wilson, F. P.. 5 vols. Oxford: Clarendon, 1958.Google Scholar
Nicholson, Samuel. Acolastus. London: 1600.Google Scholar
Preston, Thomas. A Lamentable Tragedy mixed ful of Pleasant Mirth, conteyning the life of Cambises king of Percia. London: 1570.Google Scholar
Shirley, James. Hide Parke. 1637.Google Scholar
Stephens, John. Satirical Essays. London: 1615.Google Scholar

Further reading

Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Dutton, Richard. Mastering the Revels. Basingstoke: Macmillan, 1991.Google Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. 3rd ed. Cambridge: Cambridge University Press, 2004.Google Scholar
Palfrey, Simon, and Stern, Tiffany. Shakespeare in Parts. Oxford: Oxford UP, 2007.Google Scholar
Stern, Tiffany. Documents of Performance. Cambridge: Cambridge University Press, 2009.Google Scholar
Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Clarendon, 2000.Google Scholar
Warren, Michael. “Greene’s Orlando Furioso.” Textual Formations and Reformations. Ed. Maguire, Laurie E. and Berger, Thomas L.. Newark: U of Delaware P, 1998.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×