Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Introduction
- 261 Book Illustrations
- 262 Graphic Satire
- 263 Photography
- 264 Periodical Illustrations
- 265 Commercial Images
- 266 Comic Books and Manga
- Part XXVIII Shakespeare and Media History
- Index
- References
263 - Photography
from Part XXVII - Shakespeare and the Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Introduction
- 261 Book Illustrations
- 262 Graphic Satire
- 263 Photography
- 264 Periodical Illustrations
- 265 Commercial Images
- 266 Comic Books and Manga
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
American Museum of PhotographyArmstrong-Jones, Anthony (Lord Snowdon)Cameron, Julia Margaretcarte-de-visitecharacterClarke, Mary CowdenCollins Clear Type PressCooper, DonaldEdelstein, T. J.Evans, EdithFoulkes, Richardfoyer cardsThe GraphicHamletHay, LornaHutton, KIllustrated London NewsKean, CharlesKennel, SarahLaroche, MartinMander, RaymondMayer, DavidMcBean, AngusMitchenson, JoeNational Media MuseumNational Portrait GalleryOlivier, Laurencephotographic processesphotographic studiophotographic techniquesphotography in theaterPicture Postpopular editionsPrincess’s TheatreRobinson, Henry Peachscholarly editionsShakespeare in AsiaShakespeare Memorial TheatreThe SketchSmithsonian National Portrait GalleryThe SphereSterographTallis ShakespeareTaylor, Sir Henrytheater programsTwelfth NightVictoria and Albert MuseumWarne, Frederick, Shakespeare edition
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1884 - 1889Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Armstrong-Jones, Anthony (Lord Snowdon). Personal View. London: Weidenfeld and Nicolson, 1979.Google Scholar
Edelstein, T. J., and Cooper, Donald. Donald Cooper: Photographs of the Classic British Theatre. South Hadley: Mount Holyoke College Art Museum, 1987.Google Scholar
Foulkes, Richard. “The Laroche Photographs of Charles Kean’s Shakespeare Revivals.” Theatrephile. 2.8. (1985), 29–32.Google Scholar
Mander, Raymond, and Mitchenson, Joe. Hamlet through the Ages: A Pictorial Record from 1709. London: Rockliff, 1952.Google Scholar
Mayer, David. “The Actress as Photographic Icon: From Early Photography to Early Film.” The Cambridge Companion to the Actress. Ed. Gale, Maggie B. and Stokes, John. Cambridge: Cambridge University Press, 2007. 74–94.CrossRefGoogle Scholar
Further reading
Kennel, Sarah. In the Darkroom: An Illustrated Guide to Photographic Processes before the Digital Age. Washington: National Gallery of Art, 2009.Google Scholar
Mayer, David. “‘Quote the Words to Prompt the Attitudes’: The Victorian Performer, the Photographer, and the Photograph.” Theatre Survey 43.2 (November 2002): 223–51.Google Scholar
Olsen, Victoria. From Life: Julia Margaret Cameron and Victorian Photography. London: Aurum, 2003.Google Scholar