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264 - Periodical Illustrations

from Part XXVII - Shakespeare and the Visual Arts

Published online by Cambridge University Press:  17 August 2019

By
Claudia Corti
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

drama and arteighteenth-century English actors and actresseseighteenth-century English theater periodicalsengravings of English actorsnineteenth-century English actors and actressesnineteenth-century English theater periodicalspaintings of English actorsperiodical illustrationsportraits of English actors
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1889 - 1895
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bell’s Edition of Shakespeare’s Plays. London: J. Bell, 1773. Rpt. 1785.Google Scholar
Boydell, John. A Catalogue of the Pictures in the Shakespeare Gallery, Pall Mall. London: 1789.Google Scholar
Hanmer, Thomas. The Works of Shakespear, In Six Volumes, Carefully Revised and Corrected. Oxford: 1744.Google Scholar
Hunt, Leigh. London Journal 1 (n.p., 1834).Google Scholar
Rowe, Nicholas. The Works of Mr. William Shakespear: in Six Volumes, Revis’d and Corrected with an Account of the Life and Writings of the Author. London: Jacob Tonson, 1709.Google Scholar

Further reading

Aliverti, Maria Ines. La Naissance de l’acteur moderne: l’acteur et son portrait au XVIIIe siècle. Paris: Gallimard, 1998.Google Scholar
Corti, Claudia. Shakespeare illustrato. Rome: Bulzoni, 1996.Google Scholar
Hammerschmidt-Hummel, Hildegard, ed. Die Shakespeare- Illustration (1594–2000). Wiesbaden: Harrassowitz, 2003.Google Scholar
Holland, Peter, ed. Shakespeare, Memory and Performance. Cambridge: Cambridge University Press, 2006.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Orgel, Stephen. Imagining Shakespeare: A History of Texts and Visions. New York: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Sillars, Stuart. The Illustrated Shakespeare, 1709–1875. Cambridge: Cambridge University Press, 2008.CrossRefGoogle Scholar
Sillars, Stuart. Painting Shakespeare: The Artist as Critic, 1720–1820. Cambridge: Cambridge University Press, 2006.Google Scholar
Smiles, Sam. Eye Witness: Artists and Visual Documentation in Britain, 1770–1830. Aldershot: Ashgate, 2000.Google Scholar
Smith, Bruce R. Roasting the Swan of Avon: Shakespeare’s Redoubtable Enemies and Dubious Friends. Washington: Folger Shakespeare Library, 1994.Google Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth, 1990.Google Scholar
West, Shearer. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter, 1991.Google Scholar

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