Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Introduction
- 254 Opera
- 255 Ballet
- 256 Musical Comedy
- 257 Symphonic Music
- 258 Pantomime
- 259 Puppetry
- 260 Jazz
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
258 - Pantomime
from Part XXVI - Shakespeare and the Performing Arts
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Introduction
- 254 Opera
- 255 Ballet
- 256 Musical Comedy
- 257 Symphonic Music
- 258 Pantomime
- 259 Puppetry
- 260 Jazz
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1839 - 1844Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Giffard, Henry. Harlequin Student: or, the Fall of Pantomime, with the Restoration of the Drama. London: 1741.Google Scholar
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O’Brien, John. Harlequin Britain: Pantomime and Entertainment, 1690–1760. Baltimore: Johns Hopkins UP, 2004.Google Scholar
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Further reading
Grewar, Andrew. “Shakespeare and the Actors of the Commedia Dell’Arte.” Studies in the Commedia Dell’Arte. Ed. George, David J. and Gossip, Christopher J.. Cardiff: U of Wales P, 1993. 13–47.Google Scholar
Stott, Andrew. The Pantomime Life of Joseph Grimaldi: Laughter, Madness, and the Story of Britain’s Greatest Comedian. London: Canongate, 2010.Google Scholar
Worrall, David. Harlequin Empire: Race, Ethnicity, and the Drama of the Popular Enlightenment. London: Pickering and Chatto, 2007.Google Scholar