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203 - Original Practices

from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

By
Don Weingust
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Acoustic World of Early Modern England: Attending to the O-Factor, The Acting from Shakespeare’s First Folio: Theory, Text and Performanceactorsactors’ partsActors’ Renaissance SeasonAdams, J. C.Allard, BrianAlmost Original Shakespeare CompanyAmerican Globe TheatreAmerican Shakespeare CenterAshcroft, Dame PeggyAshland, OregonAtlanta Shakespeare Companyaudience interactionauthenticityBard In the BarnBasil, JohnBeckerman, BernardBlackfriars ConferenceBlackfriars (playhouse)book of the playcapitalizationCarson, ChristieChambers, E. K.ChicagoChicago Shakespeare TheatreChicago World’s FairCohen, Ralph AlancostumingcuesDenver, ColoradodesignersDessen, Alandirectorsdirectors’ theaterDocuments of Performance in Early Modern EnglandElizabethan Shakespeare CompanyElizabethan Stage SocietyElizabethan underwearEnglish RenaissanceFiennes, RalphFirst FolioFlatter, RichardFoakes, Reginald A.Fox, JamesFreeman, NeilGaines, BarbaraGranville-Barker, HarleyGraves, R. B.group tehearsalGurr, AndrewHampton Court PalaceHenslowe, PhilipHenslowe’s DiaryHildy, Franklin J.Hinman, CharltonHodges, C. WalterInternational Shakespeare’s Globe CenteritalicizationJames Madison UniversityJerash Festival, JordanKarim-Cooper, FarahKatherine (character)Kathman, DavidKiernan, PaulineKincaid, BillKissingford, BrianKnutson, RoslynLondonLopez, JeremyMacLean, Sally-BethMaking Shakespeare: From Stage to PageMary Baldwin CollegeMaryland Shakespeare FestivalMaster of PlayMcCarthy, ClarkeMcMillin, ScottMeterMethod actingMiddle Temple HallMulryne, J. R.Neuss (Germany) GlobeNew American Shakespeare TavernNew England Shakespeare FestivalNew York CityNo Holds BardNorton Facsimile: The First Folio of Shakespeare: Based on Folios in the Folger Shakespeare Library Collections, TheOdessa, Texasoriginal practicesoriginal pronunciationOriginal Practices Shakespeare FestivalOriginal Shakespeare CompanyOrrel, JohnorthographypacePalfrey, SimonPapadinis, Demitra“Partial Theory of Original Practice, A”Petruchio (character)Phoebus’ Cartphoto facsimilesPigeon Creek Shakespeare CompanyPoel, WilliamPortland, Oregonprompt scriptprompterpunctuation“Reconstructing the Globe: Constructing Ourselves”Queen’s MenQueen’s Men and their Plays, TherehearsalRehearsal from Shakespeare to SheridanrepertoryRomeRylance, MarkScacchi, GretaScales, PrunellascholarshipSecrets of Acting Shakespeare: The Original ApproachShakespeare and the Queen’s Men ProjectShakespeare in PartsShakespeare SurveyShakespeare’s First TextsShakespeare’s Globe (playhouse)Shakespeare’s Globe: A Theatrical ExperimentShakespearean authorityShenandoah Shakespeare ExpressShenandoah ValleyShewring, Margaretsingle-gendered castsSmith, Bruce R.Smith, Irwinsound in Renaissance Englandspectaclespeech prefixesspellingStaging Shakespeare at the New GlobeStanislavsky, KonstantinStaunton, VirginiaStern, TiffanyStratford, Ontario Shakespeare FestivalStratford, ConnecticutStyan, J. L.Swan (playhouse)Swan Theater drawingSydney, AustraliaThe Taming of the ShrewTheatre Royal Haymarkettheaterstheatrical architecturetheatrical contaminationtheme parksThomson, LeslieTiramani, JennyTokyoToronto, Ontario, CanadaTucker, Patrickuniversal lightingunlocalized platformVan Kampen, ClaireW. W. NortonWanamaker, SamWarren, JimWeingust, DonWestern Illinois UniversityWorthen, W. B.York, Susannah
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1474 - 1482
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Carson, Christie, and Karim-Cooper, Farah, eds. Shakespeare’s Globe: A Theatrical Experiment. Cambridge: Cambridge University Press, 2008.Google Scholar
Flatter, Richard. Shakespeare’s Producing Hand: A Study of His Marks of Expression to Be Found in the First Folio. 1948. Rpt. New York: Greenwood, 1969.Google Scholar
Freeman, Neil. Shakespeare’s First Texts. Vancouver: Folio Texts, 1994.Google Scholar
Kiernan, Pauline. Staging Shakespeare at the New Globe. Basingstoke: Macmillan; New York: St. Martin’s, 1999.CrossRefGoogle Scholar
McMillin, Scott, and MacLean, Sally-Beth. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998.Google Scholar
Palfrey, Simon, and Stern, Tiffany. Shakespeare in Parts. Oxford: Oxford UP, 2007.CrossRefGoogle Scholar
Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: U of Chicago P, 1999.Google Scholar
Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Oxford UP, 2000.Google Scholar
Tucker, Patrick. Secrets of Acting Shakespeare: The Original Approach. New York: Routledge, 2002.Google Scholar
Weingust, Don. Acting from Shakespeare’s First Folio: Theory, Text and Performance. New York: Routledge, 2006.CrossRefGoogle Scholar

Further reading

Allen, Michael J. B., and Muir, Kenneth. Shakespeare’s Plays in Quarto: A Facsimile Edition of Copies Primarily from the Huntington Library. Berkeley: U of California P, 1981.Google Scholar
Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Dessen, Alan C., and Thomson, Leslie. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 1999.Google Scholar
Foakes, Reginald A., and Rickert, R. T., eds. Henslowe’s Diary: Edited with Supplementary Material, Introduction and Notes. Cambridge: Cambridge University Press, 1961.Google Scholar
Graves, R. B. Lighting the Shakespearean Stage, 1567–1642. Carbondale: Southern Illinois UP, 1999.Google Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 3rd ed. Cambridge: Cambridge University Press, 1992.Google Scholar
Hinman, Charlton, ed. The Norton Facsimile: The First Folio of Shakespeare, Based on Folios in the Folger Shakespeare Library Collections. 1968. Rpt. New York: Norton, 1996.Google Scholar
Lopez, Jeremy. “A Partial Theory of Original Practice.” Shakespeare Survey 61 (2008): 302–17. Cambridge Collections Online. Cambridge University Press. DOI:10.1017/CCOL9780521898881.023. Accessed 15 September 2010.Google Scholar
Mosten, Doug, ed. The First Folio of Shakespeare. 1623. New York: Applause Books, 1995.Google Scholar
Mulryne, J. R., and Shewring, Margaret, eds. Shakespeare’s Globe Rebuilt. Cambridge: Cambridge University Press, 1997.Google Scholar
Stern, Tiffany. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009.Google Scholar
Stern, Tiffany. Making Shakespeare: From Stage to Page. London: Routledge, 2004.CrossRefGoogle Scholar
See also the series First Folio Editions of Shakespeare, edited by Neil Freeman and published by Applause Books.Google Scholar

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