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63 - Oral Tradition

from Part VII - Popular Culture

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Brown, Mary Ellen. “Child’s Ballads and the Broadside Conundrum.” Ballads and Broadsides in Britain, 1500–1800. Ed. Fumerton, Patricia and Guerrini, Anita, with the assistance of McAbee, Kris. Burlington: Ashgate, 2010. 5772.Google Scholar
Buhler, Stephen. “Musical Shakespeares: Attending to Ophelia, Juliet, and Desdemona.” The Cambridge Companion to Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007.Google Scholar
Child, Francis James, ed. English and Scottish Ballads. 8 vols. Boston: Little, Brown, 1860 [1857–58].Google Scholar
Child, Francis James, ed. English and Scottish Popular Ballads. 5 vols. Boston: Houghton Mifflin, 1882–98.Google Scholar
Duffin, Ross W. Shakespeare’s Songbook. New York: Norton, 2004.Google Scholar
Fox, Adam. Oral and Literate Culture in England, 1500–1700. Oxford: Clarendon, 2000.Google Scholar
Gurr, Andrew. The Shakespeare Company, 1594–1642. Cambridge: Cambridge University Press, 2004.Google Scholar
Kitch, Aaron. “Bastards and Broadsides in The Winter’s Tale.” Renaissance Drama 30 (2001): 4371.Google Scholar
Lamb, Mary Ellen. The Popular Culture of Shakespeare, Spenser, and Jonson. New York: Routledge, 2006.CrossRefGoogle Scholar
Nebeker, Eric. “Broadside Ballads, Miscellanies, and the Lyric in Print.” English Literary History 76.4 (2009): 9891013.Google Scholar
Sharp, Cecil J.Introduction.” The Songs and Incidental Music Arranged and Composed by Cecil J. Sharp for Granville Barker’s Production of A Midsummer Night’s Dream At The Savoy Theatre In January, 1914. London: Simpkin, Marshall, Hamilton, Kent, and Co., 1914.Google Scholar
Smith, Bruce R.Shakespeare’s Residuals.” Shakespeare and Elizabethan Popular Culture. Ed. Gillespie, Stuart and Rhodes, Neil. London: Arden Shakespeare, 2006. 193217.Google Scholar
University of California, Santa Barbara. English Broadside Ballad Archive. http://ebba.english.ucsb.edu.Google Scholar

Further reading

Atkinson, David. “Folk Songs in Print: Text and Tradition.” Folk Music Journal 8.4 (2004): 456–83.Google Scholar
Clark, Andrew, ed. The Shirburn Ballads, 1585–1616. Oxford: Oxford UP, 1907.Google Scholar
Dubois, Thomas A. Lyric, Meaning, and Audience in the Oral Tradition of Northern Europe. South Bend: U of Notre Dame P, 2006.Google Scholar
Dugaw, Dianne. “On the ‘Darling Songs’ of Poets, Scholars, and Singers: An Introduction.” Ballads and Songs in the Eighteenth Century. Special issue of The Eighteenth Century 47.2–3 (2006): 97113.CrossRefGoogle Scholar
Gillespie, Stuart, and Rhodes, Neil, eds. “Shakespeare and Popular Song.” Shakespeare and Elizabethan Popular Culture. London: Arden Shakespeare, 2006. 174–92.Google Scholar
Henderson, Diana E.From Popular Entertainment to Literature.” The Cambridge Companion to Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007. 625.Google Scholar
Laroque, François. “Popular Festivity.” The Cambridge Companion to Shakespearean Comedy. Ed. Leggatt, Alexander. Cambridge: Cambridge University Press, 2001. 6478.CrossRefGoogle Scholar
Pettit, Thomas. “Ballads and Bad Quartos: Oral Tradition and the English Literary Historian.” Oral Tradition 18.2 (2003): 182–85.Google Scholar
Prescott, Paul. “Shakespeare and Popular Culture.” The New Cambridge Companion to Shakespeare. 2nd ed. Ed. de Grazia, Margreta and Wells, Stanley. Cambridge: Cambridge University Press, 2010. 269–84.Google Scholar
Roud, Steve, and Bishop, Julia, eds. The New Penguin Book of English Folk Songs. London: Penguin, 2012.Google Scholar
Rowe, Katherine. “A Lover’s Complaint.” The Cambridge Companion to Shakespeare’s Poetry. Ed. Cheney, Patrick. Cambridge: Cambridge University Press, 2007. 144–60.Google Scholar
Seng, Peter. The Vocal Songs in the Plays of Shakespeare. Cambridge: Harvard UP, 1967.CrossRefGoogle Scholar
Sewell, Helen. “Shakespeare and the Ballad: A Classification of the Ballads Used by Shakespeare and Instances of Their Occurrence.” Midwest Folklore 12 (1962): 217–34.Google Scholar
Simpson, Claude M. The British Broadside Ballad and Its Music. New Brunswick: Rutgers UP, 1966.Google Scholar
Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: U of Chicago P, 1999.Google Scholar
Würzbach, Natascha. The Rise of the English Street Ballad, 1550–1650. Trans. Walls, Gayna. Cambridge: Cambridge University Press, 1990.Google Scholar

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