Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
168 - Middle Eastern Shakespeare
from Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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Keywords
Aboudoma, Mahmoudal-Bassam, SulaymanAleppoArabButler, MichaelThe Comedy of ErrorsCymbelineCyprusDance of the ScorpionsHamletHebrewHebronHenry IV, Part 1IsraelIsraeliJerusalemJewishThe Merchant of VeniceMiddle EastNitzan, OmryOphelia Is Not DeadOrientOslo AgreementsOthelloPalestinian“peace”Richard IIIRomeo and JulietSalkinson, IsaacTchernihovski, ShaulTel AvivThe TempestTroilus and CressidaTwelfth NightTurks
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1249 - 1254Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Lowe, Ben. Imagining Peace: A History of Early English Pacifist Ideas, 1340–1560. University Park: Pennsylvania State UP, 1997.Google Scholar
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Oz, Avraham. The Yoke of Love: Prophetic Riddles in “The Merchant of Venice.” Newark: U of Delaware P; London: Associated UP, 1995. 193–209.Google Scholar
Oz, Avraham. “Strands too Far Remote: A Note on Translating the Political and the Politics of Translation.” Shakespeare, Text and Theater: Essays in Honor of Jay L. Halio. Ed. Potter, Lois and Kinney, Arthur F.. Newark: U of Delaware P, 1999. 136–45.Google Scholar
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Further reading
Almagor, Dan. “Shakespeare in Hebrew Literature during the Periods of Enlightenment and Renaissance.” Jubilee Volume for Simon Halkin. Ed. Shakhevits, Boaz and Peri, Menahem. Jerusalem: R. Mas, 1975. 721−84.Google Scholar