Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
95 - Islam
from Part X - Religion
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 731 - 738Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Andrea, Bernadette D. Women and Islam in Early Modern English Literature. Cambridge: Cambridge University Press, 2007.Google Scholar
Barbour, Richmond. Before Orientalism: London’s Theatre of the East, 1576–1626. Cambridge: Cambridge University Press, 2003.Google Scholar
Chew, Samuel C. The Crescent and the Rose: Islam and England during the Renaissance. New York: Octagon Books, 1965.Google Scholar
D’Amico, Jack. The Moor in English Renaissance Drama. Tampa: U of South Florida P, 1991.Google Scholar
Degenhardt, Jane H. Islamic Conversion and Christian Resistance on the Early Modern Stage. Edinburgh: Edinburgh UP, 2010.CrossRefGoogle Scholar
MacLean, Gerald M. Looking East: English Writing and the Ottoman Empire before 1800. Basingstoke: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
MacLean, Gerald M., and Matar, N. I.. Britain and the Islamic World, 1558–1713. Oxford: Oxford UP, 2011.CrossRefGoogle Scholar
McJannet, Linda. The Sultan Speaks: Dialogue in English Plays and Histories about the Ottoman Turks. New York: Palgrave Macmillan, 2006.Google Scholar
Robinson, Benedict S. Islam and Early Modern English Literature: The Politics of Romance from Spenser to Milton. New York: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Vitkus, Daniel J. Turning Turk: English Theater and the Multicultural Mediterranean, 1570–1630. New York: Palgrave Macmillan, 2003.CrossRefGoogle Scholar