Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Introduction
from Part XIX - Translation
Published online by Cambridge University Press: 17 August 2019
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1339 - 1352Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Abend-David, Dror. “Scorned My Nation”: A Comparison of Translations of “The Merchant of Venice” into German, Hebrew, and Yiddish. New York: Peter Lang, 2003.Google Scholar
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Cetera, Anna. Enter Lear: The Translator’s Part in Performance. Warsaw: Warsaw UP, 2008.Google Scholar
Chaudhuri, Sukanta, and Lim, Chee Seng, eds. Shakespeare without English: The Reception of Shakespeare in Non-Anglophone Countries. Delhi: Pearson Longman, 2006.Google Scholar
Delabastita, Dirk. “A Great Feast of Languages: Shakespeare’s Multilingual Comedy in King Henry V and the Translator.” The Translator 8.2 (2002): 303–40.Google Scholar
Déprats, Jean-Michel. “A French History of Henry V.” Shakespeare’s History Plays: Performance, Translation and Adaptation in Britain and Abroad. Ed. Hoenselaars, Ton. Cambridge: Cambridge University Press, 2004. 75–91.Google Scholar
Gambier, Yves, and Doorslaer, Luc Van, eds. Handbook of Translation Studies. 3 vols. Amsterdam: John Benjamins, 2010–12.CrossRefGoogle Scholar
Heylen, Romy. Translation, Poetics, and the Stage: Six French “Hamlets.” London: Routledge, 1993.Google Scholar
Hoenselaars, Ton. “Between Heaven and Hell: Shakespearian Translation, Adaptation, and Criticism from a Historical Perspective.” The Yearbook of English Studies 36.1 (2006): 50–64.Google Scholar
Hoenselaars, Ton. “Translation Futures: Shakespearians and the Foreign Text.” Shakespeare Survey 62 (2009): 273–82.Google Scholar
Homem Carvalho, Rui, and Hoenselaars, Ton, eds. Translating Shakespeare for the Twenty-first Century. Amsterdam: Rodopi, 2004. Rpt. New Delhi: Overseas Press, 2008.CrossRefGoogle Scholar
Huang, Alexa. Chinese Shakespeares: Two Centuries of Cultural Exchange. New York: Columbia UP, 2009.Google Scholar
Kennedy, Dennis. “Shakespeare Worldwide.” The Cambridge Companion to Shakespeare. Ed. de Grazia, Margreta and Wells, Stanley. Cambridge: Cambridge University Press, 2001. 241–64.Google Scholar
Mathijssen, Jan Willem. The Breach and the Observance: Theatre Retranslation as a Strategy of Artistic Differentiation, with Special Reference to Retranslations of Shakespeare’s Hamlet (1777–2001), 2007. http://www.dehamlet.nl/.Google Scholar
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O’Shea, José Roberto, ed. Accents Now Known: Shakespeare’s Drama in Translation. Spec. issue of Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies 36 (1999).Google Scholar
O’Shea, José Roberto, and Guimarães, Daniela Lapoli, eds. Mixed with Other Matter: Shakespeare’s Drama Appropriated. Spec. issue of Ilha do desterro: A Journal of English Language, Literatures in English and Cultural Studies 49 (2005).Google Scholar
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Trivedi, Poonam, and Bartholomeusz, Dennis, eds. India’s Shakespeare: Translation, Interpretation and Performance. Newark: U of Delaware P, 2005.Google Scholar