Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
50 - The First Folio
from Part V - Printing, Publishing, Textuality
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
advertisementannotationAntony and CleopatraapocryphaAristotleAs You Like ItAspley, Williamauthenticityauthorauthorshipbad quartosBlount, EdwardbooksellersBrooke, RalphcanoncataloguechronologycollaborationcollatecollectioncollectorscomediescompilercompletecompositorCondell, HenrycopycopyrightcorrectorCrane, RalphCymbelineDaniel, Samueldedicationdedicatory epistleDigges, LeonardDiscoverie of Errours, ADroeshout, MartineditingeditorepistlefacsimileFirst FolioFletcher, JohnFolger Shakespeare Libraryformatgenregreat Variety of ReadersHamletHeminges, JohnHenry IV, Part 1Henry VHenry VIIIHerbert, William, earl of PembrokeHerbert, Philip, earl of MontgomeryHinman, CharltonhistoriesHolland, HughimprintJaggard, IsaacJaggard, WilliamJonson, BenJames IKing’s MenLaw, MatthewliteraryLord ChamberlainLord Chamberlain’s MenMabbe, JamesMacbethmanuscriptmarginmarketingMaster of the RevelsMeasure for Measurememorynew bibliographypaperparatextPassionate PilgrimepatronpatronagePavier, ThomasPavier quartosPericlesplaybillsplayspoemspreliminariesprintprintersprintingprofitproofreadingpublisherspublishingquartoRichard IIRichard IIIRomeo and JulietscribeSidney, PhilipsizeSmethwick, JohnSpenser, EdmundstationersStationers’ CompanyStationers’ RegisterstatussyndicateThe TempesttextThird Foliotitle pageTimon of AthenstragediesTroilus and CressidaThe Two Gentlemen of VeronaThe Two Noble KinsmenVenus and AdonisThe Winter’s TaleVincent, AugustineWalley, HenryWilkins, GeorgeWillworks
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 366 - 374Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Greg, W. W. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Clarendon, 1955.Google Scholar
Hinman, Charlton, ed. The Norton Facsimile: The First Folio of Shakespeare. 2nd ed. New York: Norton, 1996.Google Scholar
Further reading
Blayney, Peter W. M. The First Folio of Shakespeare. Washington: Folger Shakespeare Library, 1991.Google Scholar
Brooks, Douglas A. From Playhouse to Printing House: Drama and Authorship in Early Modern England. Cambridge: Cambridge University Press, 2000.Google Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Oxford UP, 1991.CrossRefGoogle Scholar
Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare. Oxford: Clarendon, 1963.Google Scholar
Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge University Press, 2001.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar