Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Introduction
- 204 English-Speaking Audiences: Sixteenth and Seventeenth Centuries
- 205 English-Speaking Audiences: Restoration and Eighteenth Century
- 206 English-Speaking Audiences: Nineteenth Century
- 207 English-Speaking Audiences: Twentieth Century
- 208 Shakespeare for Soldiers and Seniors
- 209 Shakespearean Players in Early Modern Europe
- 210 Diversely Abled Audiences
- 211 Audiences at the Old Globe and the New
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
207 - English-Speaking Audiences: Twentieth Century
from Part XXI - Audiences
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Introduction
- 204 English-Speaking Audiences: Sixteenth and Seventeenth Centuries
- 205 English-Speaking Audiences: Restoration and Eighteenth Century
- 206 English-Speaking Audiences: Nineteenth Century
- 207 English-Speaking Audiences: Twentieth Century
- 208 Shakespeare for Soldiers and Seniors
- 209 Shakespearean Players in Early Modern Europe
- 210 Diversely Abled Audiences
- 211 Audiences at the Old Globe and the New
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Keywords
Arts Council of Great Britainaudience surveysBogdanov, MichaelBradley, A. C.Brook, Petercultural tourismdirectorsHarbage, AlfredHenry VHolland, PeterJulius CaesarKennedy, DennisNew GlobeOlivier, LaurencePapp, JosephPoel, Williamdemographics of Shakespeare audiencesShakespeare as iconShakespeare in the ClassroomShakespeare’s Globe (playhouse)Shakespoptwentieth-century audiencesWanamaker, SamWelles, Orson
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1513 - 1520Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Adams, Anthony. “General Editor’s Preface.” Shakespeare in the Classroom: What’s the Matter? By Leach, Susan. Buckingham: Open UP, 1992. vii–x.Google Scholar
Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic. Trans. Willett, John. New York: Hill and Wang, 1964.Google Scholar
Freshwater, Helen. Theatre and Audience. Basingstoke: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Gardiner, Caroline. “From Bankside to the West End: A Comparative View of London Audiences.” New Theatre Quarterly 10 (1994): 70–86.CrossRefGoogle Scholar
Glick, Claris. “William Poel: His Theories and Influence.” Shakespeare Quarterly 15.1 (winter 1964): 15–25.Google Scholar
Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Oxford UP, 1988.Google Scholar
Holland, Peter. English Shakespeares: Shakespeare on the English Stage in the 1990s. Cambridge: Cambridge University Press, 1997.Google Scholar
Kennedy, Dennis. Looking at Shakespeare: A Visual History of Twentieth-Century Performance. Cambridge: Cambridge University Press, 1996.Google Scholar
Kennedy, Dennis. “Shakespeare and Cultural Tourism.” Theatre Journal 50 (1998): 175–88.Google Scholar
Kennedy, Dennis. “Sports and Shows: Spectators in Contemporary Culture.” Theatre Research International 26.3 (2001): 277–84.CrossRefGoogle Scholar
Kiernan, Pauline. “Findings from the Globe Opening Season.” Shakespeare’s Globe: Research Bulletin 2 (March 1998). http://www.globelink.org/docs/Henry_V_1997.pdf.Google Scholar
Lanier, Douglas. Shakespeare and Modern Popular Culture. New York: Oxford UP, 2002.CrossRefGoogle Scholar
Leach, Susan. Shakespeare in the Classroom: What’s the Matter? Buckingham: Open UP, 1992.Google Scholar
MacCannell, Dean. The Tourist: A New Theory of the Leisure Class. London: Macmillan, 1976.Google Scholar
Speaight, Robert. Shakespeare on the Stage: An Illustrated History of Shakespearean Performance. London: Collins, 1973.Google Scholar
Sprague, Arthur Colby. Shakespearean Players and Performances. New York: Grenfield, 1969.Google Scholar
Yu, Jin Ko. “A Little Touch of Harry in the Light: Henry V at the New Globe.” Shakespeare Survey 52 (1999): 107–19.Google Scholar
Further reading
Bate, Jonathan. “Romantic Players, Political Theatres.” Shakespeare: Readers, Audiences, Players. Ed. White, R. S., Edelman, Charles, and Wortham, Christopher. Perth: U of Western Australia P, 1998.Google Scholar
Bristol, Michael D. Shakespeare’s America, America’s Shakespeare. London: Routledge, 1990.Google Scholar
Brockbank, Philip. “Introduction: Abstracts and Brief Chronicles.” Players of Shakespeare. Cambridge: Cambridge University Press, 1985. 1–11.Google Scholar
Brown, John Russell. Shakespeare and the Theatrical Event. Basingstoke: Palgrave Macmillan, 2002.Google Scholar
Elias, Norbert, and Dunning, Eric. The Quest for Excitement: Sport and Leisure in the Civilising Process. Oxford: Blackwell, 1986.Google Scholar
Holland, Peter. English Shakespeares: Shakespeare in the English Stage in the 1990s. Cambridge: Cambridge University Press, 1997.Google Scholar
Kiernan, Pauline. Staging Shakespeare at the New Globe. Basingstoke: Palgrave Macmillan, 1999.Google Scholar
Kirshenblatt-Gimblett, Barbara. Destination Culture: Tourism, Museums, and Heritage. Berkeley: U of California P, 1998.Google Scholar
Shaughnessy, Robert, ed. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Shepherd, Simon. The Cambridge Introduction to the Modern British Theatre. Cambridge: Cambridge University Press, 2009.Google Scholar
Styan, J. L. The English Stage: A History of Drama and Performance. Cambridge: Cambridge University Press, 1996.Google Scholar
Wilders, John. “Shakespeare with No Audience.” Shakespeare: Readers, Audiences, Players. Ed. White, R S., Edelman, Charles, and Worthen, Christopher. Perth: U of Western Australia P, 1998.Google Scholar