Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Introduction
- 204 English-Speaking Audiences: Sixteenth and Seventeenth Centuries
- 205 English-Speaking Audiences: Restoration and Eighteenth Century
- 206 English-Speaking Audiences: Nineteenth Century
- 207 English-Speaking Audiences: Twentieth Century
- 208 Shakespeare for Soldiers and Seniors
- 209 Shakespearean Players in Early Modern Europe
- 210 Diversely Abled Audiences
- 211 Audiences at the Old Globe and the New
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
206 - English-Speaking Audiences: Nineteenth Century
from Part XXI - Audiences
Published online by Cambridge University Press: 17 August 2019
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Introduction
- 204 English-Speaking Audiences: Sixteenth and Seventeenth Centuries
- 205 English-Speaking Audiences: Restoration and Eighteenth Century
- 206 English-Speaking Audiences: Nineteenth Century
- 207 English-Speaking Audiences: Twentieth Century
- 208 Shakespeare for Soldiers and Seniors
- 209 Shakespearean Players in Early Modern Europe
- 210 Diversely Abled Audiences
- 211 Audiences at the Old Globe and the New
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1506 - 1513Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Cliff, Nigel. The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America. New York: Random House, 2007.Google Scholar
Foulkes, Richard. Church and Stage in Victorian England. Cambridge: Cambridge University Press, 1997.Google Scholar
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Marshall, Gail, and Poole, Adrian, eds. Victorian Shakespeare. Vol. 1: Theatre, Drama and Performance. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Schoch, Richard W. Shakespeare’s Victorian Stage: Performing History in the Theatre of Charles Kean. Cambridge: Cambridge University Press, 1998.Google Scholar