Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
7 - Court
from Part I - Mapping Shakespeare’s World
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 46 - 51Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Betteridge, Thomas, and Riehl, Anna, eds. Tudor Court Culture. Selinsgrove: Susquehanna UP, 2010.Google Scholar
Cuddy, Neil. “The Revival of the Entourage: The Bedchamber of James I, 1603–1625.” The English Court from the Wars of the Roses to the Civil War. Ed. Starkey, David et al. London: Longman, 1987. 173–225.Google Scholar
Kisby, Fiona. “Officers and Office-Holders at the English Court: A Study of the Chapel Royal, 1485–1547.” Royal Musical Association Research Chronicle 32 (1999): 1–61.CrossRefGoogle Scholar
Lindley, David. “The Stuart Masque and Its Makers.” The Cambridge History of the British Theatre. Vol. 1. Ed. Milling, Jane and Thomson, Peter. Cambridge: Cambridge University Press, 2004. 383–406.Google Scholar
More, Thomas. The History of King Richard III and Selections from the English and Latin Poems. Ed. Sylvester, Richard S.. New Haven: Yale UP, 1976.Google Scholar
Schoenbaum, S. William Shakespeare: A Compact Documentary Life. Oxford: Clarendon, 1977.Google Scholar
Further reading
Holderness, Graham, Potter, Nick, and Turner, John. Shakespeare, Out of Court: Dramatizations of Court Society. New York: St. Martin’s, 1990.CrossRefGoogle Scholar
Schmidgall, Gary. Shakespeare and the Courtly Aesthetic. Berkeley: U of California P, 1981.Google Scholar
Wikander, Matthew H. Princes to Act: Royal Audience and Royal Performance, 1578–1792. Baltimore: Johns Hopkins UP, 1993.Google Scholar