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266 - Comic Books and Manga

from Part XXVII - Shakespeare and the Visual Arts

Published online by Cambridge University Press:  17 August 2019

By
Sven-Arve Myklebost
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationappropriationCan of Worms PressClassics Illustrated seriescomic bookscomicsconfigurationGaiman, Neilgraphic novelsmangaPocket Classics seriesSelf Made HeroZarate, Oscar
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1899 - 1906
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Appignanesi, Richard, adapt. King Lear. By Shakespeare, William. Illus. Ilya, . London: SelfMadeHero, 2009.Google Scholar
Appignanesi, Richard. Much Ado about Nothing. By Shakespeare, William. Illus. Vieceli, Emma. London: SelfMadeHero, 2009.Google Scholar
Appignanesi, Richard. Othello. By Shakespeare, William. Illus. Osada, Ryuta. London: SelfMadeHero, 2008.Google Scholar
Appignanesi, Richard. The Tempest. By Shakespeare, William. Illus. Duffield, Paul. London: SelfMadeHero, 2007.Google Scholar
Belsey, Catherine. Why Shakespeare? New York: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Gaiman, Neil. “Men of Good Fortune.” Todd Klein, Steve Parkhouse, Michael Zulli. The Sandman 13 (1990).Google Scholar
Gaiman, Neil. “A Midsummer Night’s Dream.” Todd Klein, Steve Oliff, Charles Vess. The Sandman 19 (1990).Google Scholar
Gaiman, Neil. “The Tempest.” Digital Chameleon, Todd Klein, Charles Vess, Daniel Vozzo The Sandman 75 (1996).Google Scholar
Jensen, Michael P. “Comic Book Shakespeare. I.” Shakespeare Newsletter 56:3 no. 270 (2006): 81.Google Scholar
Jensen, Michael P. “Comic Book Shakespeare. II.” Shakespeare Newsletter 57:1 no. 271 (2007): 2.Google Scholar
Jensen, Michael P. “Comic Book Shakespeare. III.” Shakespeare Newsletter 57:2 no. 272 (2007): 42.Google Scholar
King Lear. Pocket Classics. West Haven: Academic Industries, 1984.Google Scholar
Lusardi, James P. “Iconic Shakespeare: Oscar Zarate’s Othello.” Shakespeare in the Visual Arts. Ed. Klein, Holger and Harner, James L.. New York: Edwin Mellen Press, 2000.Google Scholar
McCloud, Scott. Understanding Comics: The Invisible Art. 1993. New York: Harper, 2004.Google Scholar
Smith, Clay. “Get Gaiman?: PolyMorpheus Perversity in Works by and about Neil Gaiman.” ImageTexT: Interdisciplinary Comics Studies 4.1 (2008). http://www.english.ufl.edu/imagetext/archives/v4_1/smith/ Accessed 17 Aug 2010.Google Scholar
Wagner, Peter. “Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s).” Icons – Texts – Iconotexts, Essays on Ekphrasis and Intermediality. Ed. Wagner, Peter. Berlin: Walter de Gruyter, 1996. 1–40.CrossRefGoogle Scholar
Young, Alan R. Punch and Shakespeare in the Victorian Era. Oxford: Peter Lang, 2007.Google Scholar
Zarate, Oscar, adapt. Othello. By Shakespeare, William. Illus. Zarate, Oscar. 1985. London: Can of Worms Press, 2005.Google Scholar

Further reading

Burt, Richard. ed. Shakespeare after Mass Media. New York: Palgrave, 2002.CrossRefGoogle Scholar
Burt, Richard. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. 2 vols. Westport: Greenwood, 2006.Google Scholar
Castaldo, Annalisa. “‘No More Yielding than a Dream’: The Construction of Shakespeare in The Sandman.” College Literature 31.4 (2004): 94–110.CrossRefGoogle Scholar
Cohn, Neil. “Japanese Visual Language.” Downloadable essays. Emaki.net, 2007. Web.Google Scholar
Gaiman, Neil. The Doll’s House. Illus. Drinberg, Mike and Jones III, Malcolm. New York: DC-Vertigo, 1995.Google Scholar
Gaiman, Neil. Dream Country. Illus. Jones, Kelley, Vess, Charles, Doran, Colleen, and Jones III, Malcolm. New York: DC-Vertigo, 1995.Google Scholar
Gaiman, Neil. The Wake. Illus. Zulli, Michael, Muth, Jon J., and Vess, Charles. New York: DC-Vertigo, 1997.Google Scholar
Yoshihara, Yukari. “Popular Shakespeare in Japan.” Shakespeare Survey 60 (2007): 130–40. Cambridge Collections Online. Cambridge University Press. DOI:10.1017/CCOL052187839X.011.Google Scholar

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