Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Introduction
- 224 The Practicalities of Editing: Measure for Measure
- 225 Popular versus Scholarly Texts
- 226 The Texts of Shakespeare and Textual Theory
- 227 The Digital Text and Beyond
- 228 Case Study 1: King Lear
- 229 Case Study 2: The Tempest
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
228 - Case Study 1: King Lear
from Part XXIII - Printing and Reception History
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Introduction
- 224 The Practicalities of Editing: Measure for Measure
- 225 Popular versus Scholarly Texts
- 226 The Texts of Shakespeare and Textual Theory
- 227 The Digital Text and Beyond
- 228 Case Study 1: King Lear
- 229 Case Study 2: The Tempest
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1649 - 1654Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bevington, David. “Determining the Indeterminate: The Oxford Shakespeare.” Shakespeare Quarterly 38 (1987): 501–19.Google Scholar
Blayney, Peter W. M. The Texts of “King Lear” and Their Origins. Cambridge: Cambridge University Press, 1982.Google Scholar
Erne, Lukas. “Editing the Real Lear.” Shakespeare’s Modern Collaborators. London: Continuum, 2008.Google Scholar
Foakes, R. A. King Lear. The Arden Shakespeare Third Series. London: Thomas Nelson, 1997.Google Scholar
Halio, Jay L. The First Quarto of King Lear. Cambridge: Cambridge University Press, 1994.Google Scholar
Kermode, Frank. “Disintegration Once More.” The British Academy Shakespeare Lectures 84 (1993): 93–111.Google Scholar
Taylor, Gary, and Warren, Michael, eds. The Division of the Kingdoms: Shakespeare’s Two Versions of “King Lear.” Oxford: Oxford UP, 2000.Google Scholar
Warren, Michael. “Quarto and Folio King Lear and the Interpretation of Albany and Edgar.” Shakespeare, Pattern of Excelling Nature. Ed. Bevington, David and Halio, Jay. Newark: U of Delaware P, 1978. 95–107.Google Scholar
Warren, Michael. William Shakespeare: The Parallel King Lear, 1608–1623. Berkeley: U of California P, 1989.Google Scholar
Wells, Stanley, and Taylor, Gary, eds. (with Jowett, John and Montgomery, William). William Shakespeare: The Complete Works. Oxford: Oxford UP, 1986.Google Scholar
Further reading
Honigmann, E. A. J. “Shakespeare’s Revised Plays: King Lear and Othello,” The Library 4 (1982): 142–73.Google Scholar
Knowles, Richard. “Revision Awry in Folio Lear 3.1,” Shakespeare Quarterly 46 (1995): 32–46.CrossRefGoogle Scholar
Knowles, Richard. “Cordelia’s Return,” Shakespeare Quarterly 50 (1999): 35–50.CrossRefGoogle Scholar
Urkowitz, Steven. Shakespeare’s Revision of “King Lear.” Princeton: Princeton UP, 1980.Google Scholar
Wells, Stanley. “The Once and Future King Lear.” The Division of the Kingdoms. Ed. Taylor, Gary and Warren, Michael. Oxford: Oxford UP, 1987. 1–22.Google Scholar