Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
163 - Bollywood
from Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
By
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Keywords
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1220 - 1224Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bhatia, Nandi. “Different Othello(s) and Contentious Spectators: Changing Responses in India.” Gramma: Journal of Theory and Criticism 15 (2007): 155–74.Google Scholar
Burt, Richard. “All that Remains of Shakespeare in Indian Film.” Shakespeare in Asia: Contemporary Performance. Ed. Kennedy, Dennis and Li Lan, Yong. Cambridge: Cambridge University Press, 2010. 73–108.Google Scholar
Enright, D. J. “In States Unborn – Shakespeare Overseas.” Times Literary Supplement 23 April 1964: 352–53.Google Scholar
Pais, Arthur J. “Foreign Audiences Flock to Omkara.” Rediff India Abroad http://www.rediff.com/movies/2006/aug/02ajp.htm. 2 August 2006. Accessed 6 March 2007.Google Scholar
Sen, Raja. “Why Omkara Blew My Mind.” Rediff India Aroad. http://www.rediff.com/movies/2006/aug/02rs.htm. Accessed 18 February 2007.Google Scholar
Singh, Jyotsna. Colonial Narratives/Cultural Dialogues: Discourses of India in the Languages of Colonialism. London: Routledge, 1996.Google Scholar
Trivedi, Poonam. “‘Filmi’ Shakespeare.” Literature/Film Quarterly 35.2 (April 2007): 148–58.Google Scholar
Verma, Rajiva. “Shakespeare in Hindi Cinema.” India’s Shakespeare: Translation, Interpretation and Performance. Ed. Trivedi, Poonam and Bartholomeusz, Dennis. Newark: U of Delaware P, 2005. 269–90.Google Scholar
Vishwanathan, Gauri. “The Beginnings of English Literary Study in British India.” Oxford Literary Review 9.1–2 (1987): 2–26.Google Scholar
Further reading
Bhatia, Nandi. Acts of Authority/Acts of Resistance: Theatre and Politics in Colonial and Postcolonial India. Ann Arbor: U of Michigan P, 2004.CrossRefGoogle Scholar
Bhatia, Nandi. “Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah.” Modern Drama. 45.1 (spring 2002): 61–75.CrossRefGoogle Scholar
Burt, Richard. “Shakespeare and Asia in Postdiasporic Cinemas: Spin-offs and Citations of the Plays from Bollywood to Hollywood.” Shakespeare, the Movie, II: Popularizing the Plays on Film, TV, Video and DVD. Ed. Burt, Richard and Boose, Lynda E.. London: Routledge, 2003. 265–303.Google Scholar
Dionne, Craig, and Kapadia, Parmita, eds. Native Shakespeares: Indigenous Appropriations on a Global Stage. Aldershot: Ashgate, 2008.Google Scholar
Keller, James R, and Stratyner, Leslie, eds. Almost Shakespeare: Reinventing His Works for Cinema and Television. London: McFarland, 2004.Google Scholar
Lanier, Douglas. “Recent Shakespeare Adaptation and the Mutations of Cultural Capital.” Shakespeare Studies 38 (2010): 104–33.Google Scholar
Niyogi, Esha. “Modern Shakespeares in Popular Bombay Cinema: Translation, Subjectivity, and Community.” Screen 43.1 (spring 2002): 19–40.Google Scholar
Trivedi, Poonam, and Bartholomeusz, Dennis, eds. India’s Shakespeare: Translation, Interpretation and Performance. Newark: U of Delaware P, 2005.Google Scholar