Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
127 - Ben Jonson
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 953 - 958Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Duncan-Jones, Katherine. Shakespeare: An Ungentle Life. London: Arden Shakespeare, 2010.Google Scholar
Dutton, Richard. Ben Jonson, “Volpone” and the Gunpowder Plot. Cambridge: Cambridge University Press, 2008.Google Scholar
Gurr, Andrew. “Who Is Lovewit? What Is He?” Ben Jonson and Theatre: Performance, Practice and Theory. Ed. Cave, Richard, Schafer, Elizabeth, and Woolland, Brian. London: Routledge, 1999. 5–19.Google Scholar
Jardine, Mick. “Jonson as Shakespeare’s Other.” Ben Jonson and Theatre: Performance, Practice and Theory. Ed. Cave, Richard, Schafer, Elizabeth, and Woolland, Brian. London: Routledge, 1999. 104–15.Google Scholar
Jonson, Ben. Epicoene, or The Silent Woman. Ed. Holdsworth, R. V.. London: Black, 1979.Google Scholar
Jonson, Ben. Every Man Out of His Humour. Ed. Ostovitch, Helen. Manchester: Manchester UP, 2001.Google Scholar
Jonson, Ben. The Oxford Authors: Ben Jonson. Ed. Donaldson, Ian. Oxford: Oxford UP, 1985.Google Scholar
Post, David. “Seventeenth Century Poetry 1.” The Cambridge History of English Poetry. Ed. O’Neill, Michael. Cambridge: Cambridge University Press, 2010.Google Scholar
Further reading
Donaldson, Ian. Jonson’s Magic Houses: Essays in Interpretation. Oxford: Clarendon, 1997.Google Scholar
Jensen, Ejner J. Ben Jonson’s Comedies on the Modern Stage. Ann Arbor: UMI Research Press, 1985.Google Scholar
McEvoy, Sean. Ben Jonson, Renaissance Dramatist. Edinburgh: Edinburgh UP, 2008.CrossRefGoogle Scholar
Sanders, Julie, ed. Ben Jonson in Context. Cambridge: Cambridge University Press, 2010.Google Scholar
Sanders, Julie. Ben Jonson’s Theatrical Republics. Basingstoke: Macmillan, 1998.CrossRefGoogle Scholar