Book contents
- The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
- Reviews
- The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgements
- Introduction:
- Part I Planning
- Part II Doing
- Part III Interpreting
- Chapter 11 Methodologies Dialogue:
- Chapter 12 Non-linear Methodologies for Researching Early Modern Performance:
- Chapter 13 Taking Your Time:
- Chapter 14 Not Here for the Disciplines:
- Chapter 15 Methodologies Dialogue:
- Conclusion:
- Index
- References
Chapter 14 - Not Here for the Disciplines:
Researching with and for the Pacific
from Part III - Interpreting
Published online by Cambridge University Press: 01 February 2024
- The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
- Reviews
- The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgements
- Introduction:
- Part I Planning
- Part II Doing
- Part III Interpreting
- Chapter 11 Methodologies Dialogue:
- Chapter 12 Non-linear Methodologies for Researching Early Modern Performance:
- Chapter 13 Taking Your Time:
- Chapter 14 Not Here for the Disciplines:
- Chapter 15 Methodologies Dialogue:
- Conclusion:
- Index
- References
Summary
Katerina Teaiwa explores the relationship between embodied knowledges, indigenous identity, and place-making in South Pacific dancing. Her studies, training, and experience highlight the issues of how to decolonize something without decolonizing its form. Teaiwa demonstrates how dance is embodied and emplaced for Indigenous people of the Pacific islands: her own Banaban, I-Kiribati, and African American heritage influences her approach, pedagogy, and values rooted in kinship, reciprocity, and a deep connection to land and sea. Methods and means for experiencing this epistemology are shared through exhibition curation.
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2024