Book contents
- The Cambridge Companion to Women in Music since 1900
- Cambridge Companions to Music
- The Cambridge Companion to Women in Music since 1900
- Copyright page
- Dedication
- Contents
- Figures
- Boxes
- Notes on Contributors
- Preface
- Abbreviations
- Part I The Classical Tradition
- Part II Women in Popular Music
- 7 Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians to the Progression of Jazz
- 8 Leaders of the Pack: Girl Groups of the 1960s
- 9 Women and Rock
- 10 ‘(You Make Me Feel Like) A Natural Woman’: Women in Songwriting
- 11 The British Folk Revival: Mythology and the ‘Non-Figuring’ and ‘Figuring’ Woman
- 12 How MTV Idols Got Us in Formation: Solo Women and Their Brands Make Space for Truth Telling, Trauma, and Survival in Popular Music from 1981 to the Present
- In Her Own Words: Practitioner Contribution 2
- Part III Women and Music Technology
- Part IV Women’s Wider Work in Music
- Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- Select Bibliography
- Index
In Her Own Words: Practitioner Contribution 2
from Part II - Women in Popular Music
Published online by Cambridge University Press: 17 April 2021
- The Cambridge Companion to Women in Music since 1900
- Cambridge Companions to Music
- The Cambridge Companion to Women in Music since 1900
- Copyright page
- Dedication
- Contents
- Figures
- Boxes
- Notes on Contributors
- Preface
- Abbreviations
- Part I The Classical Tradition
- Part II Women in Popular Music
- 7 Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians to the Progression of Jazz
- 8 Leaders of the Pack: Girl Groups of the 1960s
- 9 Women and Rock
- 10 ‘(You Make Me Feel Like) A Natural Woman’: Women in Songwriting
- 11 The British Folk Revival: Mythology and the ‘Non-Figuring’ and ‘Figuring’ Woman
- 12 How MTV Idols Got Us in Formation: Solo Women and Their Brands Make Space for Truth Telling, Trauma, and Survival in Popular Music from 1981 to the Present
- In Her Own Words: Practitioner Contribution 2
- Part III Women and Music Technology
- Part IV Women’s Wider Work in Music
- Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- Select Bibliography
- Index
Summary
In her practitioner contribution, Virginia Kettle reflects on her career as a folk musician.
Keywords
- Type
- Chapter
- Information
- The Cambridge Companion to Women in Music since 1900 , pp. 192 - 196Publisher: Cambridge University PressPrint publication year: 2021