Book contents
- The Cambridge Companion to Women in Music since 1900
- Cambridge Companions to Music
- The Cambridge Companion to Women in Music since 1900
- Copyright page
- Dedication
- Contents
- Figures
- Boxes
- Notes on Contributors
- Preface
- Abbreviations
- Part I The Classical Tradition
- Part II Women in Popular Music
- Part III Women and Music Technology
- 13 Case Studies of Women in Electronic Music: The Early Pioneers
- 14 The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- In Her Own Words: Practitioner Contribution 3
- Part IV Women’s Wider Work in Music
- Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- Select Bibliography
- Index
- References
13 - Case Studies of Women in Electronic Music: The Early Pioneers
from Part III - Women and Music Technology
Published online by Cambridge University Press: 17 April 2021
- The Cambridge Companion to Women in Music since 1900
- Cambridge Companions to Music
- The Cambridge Companion to Women in Music since 1900
- Copyright page
- Dedication
- Contents
- Figures
- Boxes
- Notes on Contributors
- Preface
- Abbreviations
- Part I The Classical Tradition
- Part II Women in Popular Music
- Part III Women and Music Technology
- 13 Case Studies of Women in Electronic Music: The Early Pioneers
- 14 The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- In Her Own Words: Practitioner Contribution 3
- Part IV Women’s Wider Work in Music
- Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
- Select Bibliography
- Index
- References
Summary
Louis Niebur’s chapter 13, ‘Case Studies of Women in Electronic Music: The Early Pioneers’, considers a range of the earliest ground-breaking women working with electronic music, including Daphne Oram and Delia Derbyshire, at the BBC’s Radiophonic Workshop in the UK, and Wendy Carlos, Pauline Oliveros, and Suzanne Ciani, in the US.
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- The Cambridge Companion to Women in Music since 1900 , pp. 199 - 212Publisher: Cambridge University PressPrint publication year: 2021