Book contents
- The Cambridge Companion to Vaughan Williams
- Series page
- The Cambridge Companion to Vaughan Williams
- Copyright page
- Dedication
- Contents
- Tables
- Contributors
- Acknowledgements
- List of abbreviations
- Chronology
- Introduction
- Part I ‘Who wants the English composer?’: forging a path, 1890–1925
- Part II Works by genre
- 4 History and geography: the early orchestral works and the first three symphonies
- 5 The songs and shorter secular choral works
- 6 ‘An Englishman and a democrat’: Vaughan Williams, large choral works, and the British festival tradition
- 7 Folksong arrangements, hymn tunes and church music
- 8 Music for stage and film
- 9 Chamber music and works for soloist with orchestra
- 10 The later symphonies
- Part III Activism, reception and influence
- Select bibliography
- Index of Vaughan Williams’s works
- General index
6 - ‘An Englishman and a democrat’: Vaughan Williams, large choral works, and the British festival tradition
from Part II - Works by genre
Published online by Cambridge University Press: 05 December 2013
- The Cambridge Companion to Vaughan Williams
- Series page
- The Cambridge Companion to Vaughan Williams
- Copyright page
- Dedication
- Contents
- Tables
- Contributors
- Acknowledgements
- List of abbreviations
- Chronology
- Introduction
- Part I ‘Who wants the English composer?’: forging a path, 1890–1925
- Part II Works by genre
- 4 History and geography: the early orchestral works and the first three symphonies
- 5 The songs and shorter secular choral works
- 6 ‘An Englishman and a democrat’: Vaughan Williams, large choral works, and the British festival tradition
- 7 Folksong arrangements, hymn tunes and church music
- 8 Music for stage and film
- 9 Chamber music and works for soloist with orchestra
- 10 The later symphonies
- Part III Activism, reception and influence
- Select bibliography
- Index of Vaughan Williams’s works
- General index
Summary
- Type
- Chapter
- Information
- The Cambridge Companion to Vaughan Williams , pp. 121 - 135Publisher: Cambridge University PressPrint publication year: 2013
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