Book contents
- The Cambridge Companion to the Symphony
- Series page
- The Cambridge Companion to The Symphony
- Copyright page
- Contents
- Tables and figures
- Musical examples
- Contributors
- Acknowledgements
- 1 Introduction: understanding the symphony
- Part I Historical overview of the genre
- Part II Studies in symphonic analysis
- 6 Six great early symphonists
- 7 Harmonies and effects: Haydn and Mozart in parallel
- 8 Beethoven: structural principles and narrative strategies
- 9 Cyclical thematic processes in the nineteenth-century symphony
- 10 Tonal strategies in the nineteenth-century symphony
- 11 ‘Two-dimensional’ symphonic forms: Schoenberg’s Chamber Symphony, before, and after
- 12 Symphony/antiphony: formal strategies in the twentieth-century symphony
- Part III Performance, reception and genre
- Bibliography
- Index
11 - ‘Two-dimensional’ symphonic forms: Schoenberg’s Chamber Symphony, before, and after
from Part II - Studies in symphonic analysis
Published online by Cambridge University Press: 05 May 2013
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Book contents
- The Cambridge Companion to the Symphony
- Series page
- The Cambridge Companion to The Symphony
- Copyright page
- Contents
- Tables and figures
- Musical examples
- Contributors
- Acknowledgements
- 1 Introduction: understanding the symphony
- Part I Historical overview of the genre
- Part II Studies in symphonic analysis
- 6 Six great early symphonists
- 7 Harmonies and effects: Haydn and Mozart in parallel
- 8 Beethoven: structural principles and narrative strategies
- 9 Cyclical thematic processes in the nineteenth-century symphony
- 10 Tonal strategies in the nineteenth-century symphony
- 11 ‘Two-dimensional’ symphonic forms: Schoenberg’s Chamber Symphony, before, and after
- 12 Symphony/antiphony: formal strategies in the twentieth-century symphony
- Part III Performance, reception and genre
- Bibliography
- Index
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- The Cambridge Companion to the Symphony , pp. 268 - 284Publisher: Cambridge University PressPrint publication year: 2013