Book contents
- The Cambridge Companion to the Singer-Songwriter
- The Cambridge Companion to The Singer-Songwriter
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Contributors
- Acknowledgements
- Introduction
- Part I Establishing a tradition
- 1 The emergence of the singer-songwriter
- 2 Singer-songwriters of the German Lied
- 3 Bill Monroe, bluegrass music, and the politics of authorship
- 4 Singer-songwriters and the English folk tradition
- 5 The Brill Building and the creative labour of the professional songwriter
- 6 Forging the singer-songwriter at the Los Angeles Troubadour
- 7 The ‘professional’ singer-songwriter in the 1970s
- Part II Individuals
- Part III Men and women
- Part IV Frameworks and methods
- Part V Global perspectives
- Select Bibliography
- Index
- Cambridge Companions to Music
7 - The ‘professional’ singer-songwriter in the 1970s
from Part I - Establishing a tradition
Published online by Cambridge University Press: 05 July 2016
- The Cambridge Companion to the Singer-Songwriter
- The Cambridge Companion to The Singer-Songwriter
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Contributors
- Acknowledgements
- Introduction
- Part I Establishing a tradition
- 1 The emergence of the singer-songwriter
- 2 Singer-songwriters of the German Lied
- 3 Bill Monroe, bluegrass music, and the politics of authorship
- 4 Singer-songwriters and the English folk tradition
- 5 The Brill Building and the creative labour of the professional songwriter
- 6 Forging the singer-songwriter at the Los Angeles Troubadour
- 7 The ‘professional’ singer-songwriter in the 1970s
- Part II Individuals
- Part III Men and women
- Part IV Frameworks and methods
- Part V Global perspectives
- Select Bibliography
- Index
- Cambridge Companions to Music
- Type
- Chapter
- Information
- The Cambridge Companion to the Singer-Songwriter , pp. 89 - 100Publisher: Cambridge University PressPrint publication year: 2016
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