Book contents
- The Cambridge Companion to the Musical
- The Cambridge Companion to the Musical
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface to the Third Edition
- 1 How to Create a Musical: The Case of Wicked
- Part I Adaptations and Transformations: Before 1940
- Part II Maturations and Formulations: 1940–1970
- 8 ‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–1969
- 9 The Coming of the Musical Play: Rodgers and Hammerstein
- 10 The Successors of Rodgers and Hammerstein from the 1940s to the 1960s
- 11 Musical Sophistication on Broadway: Kurt Weill and Leonard Bernstein
- Part III Evolutions and Integrations: After 1970
- Part IV Legacies and Transformations
- Select Bibliography
- Index
- Cambridge Companions to Music
9 - The Coming of the Musical Play: Rodgers and Hammerstein
from Part II - Maturations and Formulations: 1940–1970
Published online by Cambridge University Press: 21 September 2017
- The Cambridge Companion to the Musical
- The Cambridge Companion to the Musical
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface to the Third Edition
- 1 How to Create a Musical: The Case of Wicked
- Part I Adaptations and Transformations: Before 1940
- Part II Maturations and Formulations: 1940–1970
- 8 ‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–1969
- 9 The Coming of the Musical Play: Rodgers and Hammerstein
- 10 The Successors of Rodgers and Hammerstein from the 1940s to the 1960s
- 11 Musical Sophistication on Broadway: Kurt Weill and Leonard Bernstein
- Part III Evolutions and Integrations: After 1970
- Part IV Legacies and Transformations
- Select Bibliography
- Index
- Cambridge Companions to Music
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- The Cambridge Companion to the Musical , pp. 159 - 184Publisher: Cambridge University PressPrint publication year: 2017
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