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12 - Trailblazers, Self-Creators, and Provers: Celebrating Women in Electric Guitar

from Part IV - The Electric Guitar in Society

Published online by Cambridge University Press:  08 November 2024

Jan-Peter Herbst
Affiliation:
University of Huddersfield
Steve Waksman
Affiliation:
Smith College, Massachusetts
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Summary

The electric guitar has long been a symbol of artistic prowess and cultural rebellion, primarily associated with male guitar legends such as Jimi Hendrix, Eddie Van Halen, and Jimmy Page. This prevalent gender disparity in electric guitar culture has perpetuated the belief that men not only pioneered its creation but have also historically dominated it. However, this perception is challenged by the notable contribution of women to the field. From iconic figures such as Memphis Minnie and Sister Rosetta Tharpe, to trailblazers such as Jennifer Batten and Bonnie Raitt, women have defied conventional expectations related to gender, culture, and class, while utilizing their guitars as instruments of personal expression. This investigation delves into the contributions, struggles, and achievements of women players, shedding light on their vital role in shaping the history of the electric guitar. It is conducted through the lens of guitarist Sue Foley, who sought inspiration from these heroines to light her own path while navigating the rugged landscape of electric guitar culture. Foley has invested decades of research into interviewing female guitarists, studying and learning the styles and methods of many of the pioneering women guitar players, while pursuing her career as a professional blues guitarist and recording artist.

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Publisher: Cambridge University Press
Print publication year: 2024

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References

Selected Bibliography

Broonzy, William and Bruynoghe, Yannick, Big Bill Blues (Oak Archives, 2007).Google Scholar
Dahl, Linda, Stormy Weather: The Music and Lives of a Century of Jazzwomen (Pantheon Books, 1984).Google Scholar
Garon, Paul and Garon, Beth, Woman With Guitar: Memphis Minnie’s Blues (Da Capo Press, 1992).Google Scholar

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