Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-08T15:27:44.398Z Has data issue: false hasContentIssue false

Part V - The Global Instrument

Published online by Cambridge University Press:  08 November 2024

Jan-Peter Herbst
Affiliation:
University of Huddersfield
Steve Waksman
Affiliation:
Smith College, Massachusetts
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Selected Bibliography

Agawu, Kofi, The African Imagination in Music (Oxford University Press, 2016).CrossRefGoogle Scholar
Charry, Eric, Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa (University of Chicago, 2000).Google Scholar
Collins, John, “‘African Guitarism’: One Hundred Years of West African Highlife,” Legon Journal of the Humanities 17 (2006): 173196.Google Scholar
Dave, Nomita, The Revolution’s Echoes: Music, Politics, and Pleasure in Guinea (University of Chicago, 2019).CrossRefGoogle Scholar
Eyre, Banning, “African Reinventions of the Guitar,” in The Cambridge Companion to the Guitar, edited by Coelho, Victor Anand (Cambridge University Press, 2003), pp. 4464.CrossRefGoogle Scholar
Skinner, Ryan Bamako, Thomas Sounds: The Afropolitan Ethics of Malian Music (University of Minnesota, 2015).CrossRefGoogle Scholar
Stewart, Gary, Rumba on the River: A History of the Popular Music of Two Congos (Verso, 2000).Google Scholar
Waterman, Christopher Alan, Jújù: A Social History and Ethnography of an African Popular Music (University of Chicago, 1990).Google Scholar
White, Bob W., Rumba Rules: The Politics of Dance in Mobutu’s Zaire (Duke University Press, 2008).Google Scholar

Selected Bibliography

Alleyne, Mike, The Encyclopedia of Reggae: The Golden Age of Roots Reggae (Sterling, 2012).Google Scholar
Alleyne, MikeMarketing Marley: Cultural & Commercial Consequences,” in Anales Del Caribe (Casa de las Americas, 2018), pp. 190206.Google Scholar
Alleyne, MikeTracks and Transformations in The Wailers’ ‘Concrete Jungle,’” in Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks, edited by Moylan, William, Burns, Lori, and Alleyne, Mike (Routledge, 2023), pp. 386402.Google Scholar
Blackwell, Chris, The Islander: My Life in Music and Beyond (Gallery, 2022).Google Scholar
Katz, David, Solid Foundation: An Oral History of Reggae (Bloomsbury, 2003).Google Scholar
Masouri, John, The Story of Bob Marley’s Wailers: Wailing Blues (Omnibus, 2008).Google Scholar
Masouri, John The Life of Peter Tosh: Steppin’ Razor (Omnibus, 2013).Google Scholar
Masouri, John Simmer Down: The Early Wailers’ Story (Jook Joint, 2015).Google Scholar
Salewicz, Chris and Boot, Adrian, Reggae Explosion: The Story of Jamaican Music (Abrams, 2001).Google Scholar
Steffens, Roger, So Much Things to Say: The Oral History of Bob Marley (W.W. Norton, 2017).Google Scholar

Selected Bibliography

Augustin, Paul and Lochhead, James, Just for the Love of It: Popular Music in Penang, 1930s–1960s (Strategic Information and Research Development Centre, 2015).Google Scholar
Barendregt, Bart, Keppy, Peter, and Schulte Nordholt, Henk, Popular Music in Southeast Asia: Banal Beats, Muted Histories (Amsterdam University Press, 2017).Google Scholar
Baulch, Emma, “Genre Publics: Aktuil Magazine and Middle-Class Youth in 1970s Indonesia,” Indonesia 12 (2016): 85113.CrossRefGoogle Scholar
Baulch, Emma Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali (Duke University Press, 2007).Google Scholar
Harnish, David, “The Hybrid Music and Cosmopolitan Scene of Balinese Guitarist I Wayan Balawan,” Ethnomusicology Forum 22/2 (2013): 188209.CrossRefGoogle Scholar
Johan, Adil and Santaella, Mayco A. (eds.) (2021), Made in Nusantara: Studies in Popular Music (Routledge, 2021).CrossRefGoogle Scholar
Lockard, Craig A., Dance of Life: Popular Music and Politics in Southeast Asia (University of Hawai’i Press, 1998).Google Scholar
MacLachlan, Heather, Burma’s Pop Music Industry: Creators, Distributors, Censors (University of Rochester Press, 2011).Google Scholar
Sen, Krishna and Hill, David T., Media, Culture and Politics in Indonesia (Equinox, 2007).Google Scholar
Wallach, Jeremy, “Global Rock as Postcolonial Soundtrack,” in The Bloomsbury Handbook of Rock Music Research, edited by Moore, Allan and Carr, Paul (Bloomsbury, 2020), pp. 469485.CrossRefGoogle Scholar
Weintraub, Andrew, Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music (Oxford University Press, 2010).CrossRefGoogle Scholar
Weintraub, AndrewMusic and Malayness: Orkes Melayu in Indonesia: 1950–1965,” Archipel 79 (2010): 5778.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×