Book contents
- The Cambridge Companion to the Circus
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to the Circus
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Timeline
- Introduction
- Part I Transnational Geographies of the Modern Circus
- Chapter 1 The Origins and Growth of the Modern Circus
- Chapter 2 Reconstruction, Railroads, and Race
- Chapter 3 Circus, Colonialism, and Empire
- Chapter 4 The Criollo Circus (Circus Theatre) in Argentina
- Chapter 5 The Past and Present of Czech Circus
- Chapter 6 Catching On
- Part II Circus Acts and Aesthetics
- Part III Circus
- Part IV Circus Studies Scholarship
- Bibliography
- Index
- References
Chapter 1 - The Origins and Growth of the Modern Circus
from Part I - Transnational Geographies of the Modern Circus
Published online by Cambridge University Press: 22 June 2021
- The Cambridge Companion to the Circus
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to the Circus
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Timeline
- Introduction
- Part I Transnational Geographies of the Modern Circus
- Chapter 1 The Origins and Growth of the Modern Circus
- Chapter 2 Reconstruction, Railroads, and Race
- Chapter 3 Circus, Colonialism, and Empire
- Chapter 4 The Criollo Circus (Circus Theatre) in Argentina
- Chapter 5 The Past and Present of Czech Circus
- Chapter 6 Catching On
- Part II Circus Acts and Aesthetics
- Part III Circus
- Part IV Circus Studies Scholarship
- Bibliography
- Index
- References
Summary
The opening of Astley’s Amphitheatre on the outskirts of London in 1770 marked the beginning of the modern circus by providing the essential model that would be refined and expanded as it grew into a global form of entertainment during the nineteenth century. Although many components – equestrian feats, acrobatics, performing animals, rope walking – long antedated Astley’s early displays, it was their combination into a singular show staged within a ring of spectators that gave form to what came to be known as the circus. In this chapter Matthew Wittmann examines the origins of the circus in late eighteenth-century London, contextualising its emergence and tracing its dynamic diffusion across Europe and the Americas during the half century that followed.
Keywords
- Type
- Chapter
- Information
- The Cambridge Companion to the Circus , pp. 19 - 34Publisher: Cambridge University PressPrint publication year: 2021