Griselda has always challenged the status of the human, even though critics have long sought to elucidate prized human characteristics through her behavior as wife, mother, and political subject. Despite these efforts, our moral investments in Griselda - quite literally, the ways we have sought to associate her with a host of social and moral prescriptions concerning subjectivity, femininity, maternity, and sovereignty - are confounded by her unyielding submission. Griselda is unfeeling, but she gains a horrible autonomy that critiques patriarchal tyranny. Griselda affirms women’s material investment in the household, but to do so she sacrifices all ethical bonds outside those mandated by her pre-marital pact with Walter. Griselda is transcendent, but she is alienated from a common humanity, much less Christianity. This chapter argues that Griselda is not an inhuman monster; rather, through The Clerk’s Tale, Chaucer imagines a different view of humanity, one engendered according to modes of virtue typically associated with women, including patience, pity, humility, steadfastness, and submission.