Rather than a possible resolution to the “Marriage Debate,” Chaucer’s The Franklin’s Tale is a meta-critical poem designed to challenge his readers’ critical acumen and to assist in refining their interpretative skills. One element in the Tale’s instructive program is Aurelius’s little-noticed yet symptomatic love-wound, his sursanure. Outlining and then deploying the techniques of “symptomatic” literary criticism, this essay concentrates on five symptomatic modalities in the Tale—“parataxis,” “surface,” “intention,” “radical cure,” and “dehiscence.” While many readers share an unqualified admiration for the Franklin’s romance, the approach of this study argues for the necessity of reading the Tale symptomatically and “against the grain”—that is, closely, aggressively, unsentimentally, and counter-romantically.