Book contents
- The Cambridge Companion to the Australian Novel
- The Cambridge Companion to the Australian Novel
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Contexts
- Part II Authorships
- Part III Futures
- 13 The Contemporary Western Sydney Novel
- 14 First Nations Transnationalism
- 15 Beyond the Cosmopolitan
- 16 Craft and Truth
- 17 Queering Mateship
- 18 Australian Fiction in the Anthropocene
- 19 What is the (Australian) Refugee Novel?
- Further Reading
- Index
- Cambridge Companions To …
16 - Craft and Truth
The Australian Verse Novel
from Part III - Futures
Published online by Cambridge University Press: 03 March 2023
- The Cambridge Companion to the Australian Novel
- The Cambridge Companion to the Australian Novel
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Contexts
- Part II Authorships
- Part III Futures
- 13 The Contemporary Western Sydney Novel
- 14 First Nations Transnationalism
- 15 Beyond the Cosmopolitan
- 16 Craft and Truth
- 17 Queering Mateship
- 18 Australian Fiction in the Anthropocene
- 19 What is the (Australian) Refugee Novel?
- Further Reading
- Index
- Cambridge Companions To …
Summary
This chapter lays out the reasons that the verse novel has been unusually prominent in Australia, considering key examples such as Dorothy Porter’s The Monkey’s Mask (1994), a lesbian detective thriller, and the four other significant verse novels she composed, to the late 1980s trio of Laurie Duggan (The Ash Range), John A. Scott (St Clair) and Alan Wearne (The Nightmarkets). It then goes on to discuss Indigenous and Asian-Australian practitioners of the verse novel form such as Ali Cobby Eckermann and Ivy Alvarez.
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- The Cambridge Companion to the Australian Novel , pp. 258 - 273Publisher: Cambridge University PressPrint publication year: 2023