Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-23T08:16:54.707Z Has data issue: false hasContentIssue false

8 - Science Fiction and Fantasy

New Works of Imagination

from Part I - History and Genre

Published online by Cambridge University Press:  10 January 2024

Jan Baetens
Affiliation:
KU Leuven, Belgium
Hugo Frey
Affiliation:
University of Chichester
Fabrice Leroy
Affiliation:
University of Louisiana at Lafayette
Get access

Summary

This chapter scrutinizes two genres that seem closer to the world of comic books than to graphic novels, but that have nevertheless proven extremely influential in the development of the latter. It opens with a definition of both science fiction and fantasy, contrasted genres yet with many shared tropes, and it acknowledges the difficulties of summarizing the specific features of each category. The chapter addresses the most important forerunners of both genres, such as Little Nemo in Slumberland, Buck Rogers, Flash Gordon, or Prince Valiant, whose relevance for the graphic novel is now fully recognized. It aptly analyzes the birth of Action Comics in 1938 as a turning point and the start of the superhero genre with the Superman character, in whom science fiction and fantasy converge (although later forms of both genres also bear the strong influence of crime comics). The chapter also compares the Marvel and DC production and examines the development of franchises, which prove perfectly compatible with the creation of author-oriented graphic novels. Examples of such affinity are The Swamp Thing, The Sandman, Saga, and The Walking Dead.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Attebery, B. (2018). Introduction: Theorizing the Fantastic. Journal of the Fantastic in the Arts 29, 333335.Google Scholar
Bender, H. (2000). The Sandman Companion. London: Titan Books.Google Scholar
The Bible: Authorized King James Version with Apocrypha. (1998). Oxford: Oxford University Press.Google Scholar
Brienza, C. (2016). Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics. London: Bloomsbury.Google Scholar
Clements, J., and McCarthy, H. (2006). The Anime Encylopedia: A Guide to Japanese Animation since 1917 – Revised and Expanded Edition. Berkeley, CA: Stone Bridge Press.Google Scholar
Cochran, R., publisher. (2006). Weird Science: Volume 1, Issues 1–6. Timonium, MD: Gemstone Publishing.Google Scholar
Cuddon, J. A. (1999). The Penguin Dictionary of Literary Terms and Literary Theory. London: Penguin Books.Google Scholar
Daniels, L. (2004). Superman: The Complete History. San Francisco, CA: Chronicle Books.Google Scholar
Dark Horse. (2019). History. Dark Horse. www.darkhorse.com/Company/History/ (accessed November 5, 2021).Google Scholar
Gabilliet, J.-P. (2010). Of Comics and Men: A Cultural History of American Comic Books. Trans. B. Beaty and N. Nguyen. Jackson: University Press of Mississippi.Google Scholar
Gaiman, N., et al. (2006). The Absolute Sandman: Volume One. New York: DC Comics.Google Scholar
Gaiman, N., et al. (2007). The Absolute Sandman: Volume Two. New York: DC Comics.Google Scholar
Goulart, R. (1986). Ron Goulart’s Great History of Comic Books: The Definitive Illustrated History from the 1890s to the 1980s. Chicago: Contemporary Books.Google Scholar
Hajdu, D. (2008). The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America. New York: Farrar, Straus and Giroux.Google Scholar
Hatfield, C. (2012). Hand of Fire: The Comics Art of Jack Kirby. Jackson: University Press of Mississippi.Google Scholar
Horn, M. (1996). 100 Years of American Newspaper Comics: An Illustrated Encyclopedia. New York: Gramercy Books.Google Scholar
Image Comics. (2021). Saga. Image Comics. https://imagecomics.com/comics/series/saga (accessed November 5, 2021).Google Scholar
Kane, B., et al. (1990). Batman Archives: Volume 1. New York: DC Comics.Google Scholar
Labarre, N. (2020). Understanding Genres in Comics. London: Palgrave Macmillan.Google Scholar
Lee, H.-K. (2009). Between Fan Culture and Copyright Infringement: Manga Scanlation. Media, Culture & Society 31, 10111022.Google Scholar
Lee, S., and Kirby, J., et al. (2005). The Fantastic Four #1. In Fantastic Four/Silver Surfer: The Complete Collection. New York: GITCorp.Google Scholar
Lee, S., and Kirby, J., et al. (2007). The Incredible Hulk #1. In The Incredible Hulk: The Complete Collection. New York: GITCorp.Google Scholar
Lee, S., and Kirby, J., et al. (2021). The Mighty Thor Vol. 1: The Vengeance of Loki. Marvel, 2021. New York: Marvel Comics.Google Scholar
Lee, S., and Mair, G. (2002). Excelsior! The Amazing Life of Stan Lee. London: Boxtree.Google Scholar
Lee, S., et al. (2010). Journey into Mystery. Comixology version, Marvel Characters, Inc.Google Scholar
Lund, M. (2016). Re-Constructing the Man of Steel: Superman 1938–1941, Jewish American History, and the Invention of the Jewish-Comics Connection. London: Palgrave Macmillan.CrossRefGoogle Scholar
Malory, T. (2004). Le Morte Darthur or The Hoole Book of Kyng Arthur and of His Noble Knyghtes of The Rounde Table, ed. Shepherd, S. H. A.. New York: W. W. Norton.Google Scholar
McCay, W. (2000). Little Nemo: 1905–1914. Köln: Evergreen.Google Scholar
Moulton, C. (1942). Sensation Comics #1. Comixology version. New York: DC Comics.Google Scholar
Plowright, F., ed. (2003). The Slings & Arrows Comic Guide. Great Britain: Slings & Arrows.Google Scholar
Roeder, K. (2022). Little Nemo in Slumberland. World History Commons. https://worldhistorycommons.org/little-nemo-slumberland (accessed March 11, 2022).Google Scholar
Rowe, C. (2022). Science Fiction. In La Cour, E., Grennan, S., and Spanjers, R., eds., Key Terms in Comics Studies. London: Palgrave Macmillan, pp. 281282.Google Scholar
Sabin, R. (1993). Adult Comics: An Introduction. London: Routledge.Google Scholar
Shelley, M. (2003). Frankenstein, or The Modern Prometheus. London: Penguin Books.Google Scholar
Siegel, J., and Shuster, J. (2006). The Superman Chronicles: Volume One. New York: DC Comics.Google Scholar
Siegel, J., and Shuster, J. (2007). The Superman Chronicles: Volume Three. New York: DC Comics.Google Scholar
Siegel, J., and Shuster, J. (2008). The Superman Chronicles: Volume Four. New York: DC Comics.Google Scholar
Varis, E. (2022). Fantasy. In La Cour, E., Grennan, S., and Spanjers, R., eds., Key Terms in Comics Studies. London: Palgrave Macmillan, pp. 107108.Google Scholar
Williams, P. (2020). Dreaming the Graphic Novel: The Novelization of Comics. New Brunswick, NJ: Rutgers University Press.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×