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17 - (Trans)national Visions: Tango Onscreen

from Part IV - Interdisciplinary Tango Studies

Published online by Cambridge University Press:  15 March 2024

By
Rielle Navitski
Edited by
Kristin Wendland  and
Kacey Link
Kristin Wendland
Affiliation:
Emory University, Atlanta
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Summary

Film scholar Rielle Navitski applies her discipline’s lens to tango and Argentine culture. She provides an overview of tango’s intersections with film; analyzes how tango’s affective qualities and transnational wanderings have shaped a long and productive pas de deux with the cinema; shows the influence of each in a historical context; and raises broader questions of cultural exchange and hegemony.

Keywords

Tango and filmtango and culturehegemony in tango
Type
Chapter
Information
The Cambridge Companion to Tango , pp. 298 - 313
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

D’Lugo, Marvin. “Early Cinematic Tangos: Audiovisual Culture and Transnational Film Aesthetics.” Studies in Hispanic Cinemas 5, no. 1–2 (2009): 9–23.CrossRefGoogle Scholar
Kailuweit, Rolf and Tölk, Vanessa, eds. TangoMedia: Multimodality Matters. Baden-Baden: Rombach Wissenschaft, 2020.CrossRefGoogle Scholar
Karush, Matthew. Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946. Durham, NC: Duke University Press, 2012.CrossRefGoogle Scholar
Ochoa, Pedro. Tango y cine mundial. Buenos Aires: Ediciones del Jilguero, 2003.Google Scholar
Miller, Marilyn G., ed. Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice. Durham, NC: Duke University Press, 2014.CrossRefGoogle Scholar

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