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Part II - Tango Song

Published online by Cambridge University Press:  15 March 2024

Edited by
Kristin Wendland  and
Kacey Link
Kristin Wendland
Affiliation:
Emory University, Atlanta
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The Cambridge Companion to Tango , pp. 131 - 170
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Aimaretti, María. “Sutiles astucias de la voz: potencia y fragilidad en la representación de las cancionistas Libertad Lamarque y Tita Merello en dos films argentinos.” Imagofagia 15 (2017): 1–35.Google Scholar
Barrancos, Dora. “Moral sexual, sexualidad y mujeres trabajadoras en el período de entreguerras.” In Dora Barrancos: Devenir feminista. Una trayectoria político-intelectual, compiled by Ana Laura Martín and Adriana María Valobra, 397–424. Buenos Aires: Editorial de la Facultad de Filosofía y Letras, 2019.Google Scholar
Florencia, Calzón Flores. “El sistema de estrellas en Argentina durante los cuarenta y cincuenta: el caso de Tita Merello.” Montajes: Revista de Análisis Cinematográfico, Vol. 2 (2013): 53–73.Google Scholar
Dalbosco, Dulce María. “Préstame tu voz: acerca de la enunciación femenina en las letras de tango.” Chasqui. Revista de literatura latinoamericana XLIV (2015): 180–195.Google Scholar
Dos Santos, Estela. Las mujeres del tango. Buenos Aires: Centro Editor de América Latina, 1972.Google Scholar
Gil Lozano, Fernanda. “Género y representaciones femeninas en el cine sonoro argentino.” In Historia de luchas, resistencias y representaciones. Mujeres en la Argentina, siglo XIX y XX, edited by Bravo, María Celia, Lozano, Fernanda Gil, and Pita, Valeria Silvina, 391–406. San Miguel de Tucumán: Edunt, 2008.Google Scholar
Cecilia, Gil Mariño. El mercado del deseo. Tango, cine y cultura de masas en la Argentina de los ’30. Buenos Aires: Teseo, 2015.Google Scholar
Liska, Mercedes. “Se dice de ‘ella’. Sentidos de género en los discursos biográficos sobre Tita Merello.” Revista Argentina de Musicología 22, no. 1 (2021): 101–144. https://ojs.aamusicologia.ar/index.php/ram/article/view/350.Google Scholar
Ramos López, Pilar. “Escribir hoy sobre la historia, la música y las mujeres.” Música e Investigación 30 (2022): 79–102. https://inmcv.cultura.gob.ar/noticia/musica-e-investigacion-30-2022/.Google Scholar
Venegas, Soledad. “Narrativas de nación: tango y género en los años veinte.” Revista Argentina de Musicología 23, no. 1 (2022): 180–205. https://ojs.aamusicologia.ar/index.php/ram/article/view/402.Google Scholar

Further Reading

Archetti, Eduardo. Masculinities: Football, Polo, and the Tango in Argentina. New York: Berg, 1999.Google Scholar
Corradi, Juan. “How Many Did It Take to Tango? Voyages of Urban Culture in the Early 1900s.” In Outsider Art: Contesting Boundaries in Contemporary Culture, 194–214, 1997.Google Scholar
Francfort, Didier. “Le tango, passion allemande et européenne, 1920–1960.” In Littératures et musiques dans la mondialisation: XXe–XXIe siècles, edited by Fléchet, Anaïs and Lévy, Marie-Françoise. Paris: Publications de la Sorbonne, 2015.Google Scholar
Garramuño, Florencia. Modernidades primitivas: tango, samba y nación. Buenos Aires: Fondo de Cultura Económica, 2007. [Primitive Modernities: Tango, Samba, and Nation. Stanford, CA: Stanford University Press, 2011].Google Scholar
Ibarlucía, Ricardo. “La perspectiva del zorzal: Paul Celan y el ‘Tango de la muerte.’” Revista Latinoamericana de Filosofía 30, no. 2 (2004): 287–312.Google Scholar
Matallana, Andrea. Qué saben los pitucos: la experiencia del tango entre 1910 y 1940. Buenos Aires: Prometeo, 2008.Google Scholar
Nudler, Julio. Tango judío: del ghetto a la milonga. Buenos Aires: Editorial Sudamericana, 1998.Google Scholar
Salas, Horacio. El tango. Buenos Aires: Planeta, 1986.Google Scholar
Santamaría-Delgado, Carolina. “Tango’s Reterritorialization in Medellín: Gardel’s Myth and the Construction of a Tanguero Local Identity.” The Musical Quarterly 92, nos. 3–4 (September 21, 2009): 177–209.CrossRefGoogle Scholar
Tallón, José Sebastián. El tango en sus etapas de música prohibida. Buenos Aires: Instituto Amigos del Libro Argentino, 1959.Google Scholar

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