Book contents
- The Cambridge Companion to Tango
- Cambridge Companions to Music
- The Cambridge Companion to Tango
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Notes on Contributors
- Notes on the Text
- Acknowledgments
- Introduction: Tango Studies across Disciplinary and Geographic Boundaries
- 1 A Brief History of Tango
- Part I Tango Music
- Part II Tango Song
- Part III Tango Dance
- Part IV Interdisciplinary Tango Studies
- 14 Nineteenth-Century Afro-Argentine Origins of Tango
- 15 Synthesizing Analyses: A Choreomusical Study of “La cumparsita”
- 16 Mixed Messages: Tango and Argentine Politics
- 17 (Trans)national Visions: Tango Onscreen
- 18 Tango, Emotion, and Transculturality in the Twentieth and Twenty-First Centuries
- 19 Tango Studies Abroad: Gustavo Beytelmann and Codarts University
- 20 Tango and Healing: A Clinical Research Perspective
- Epilogue: Carrying Tango Studies into the Future
- Appendix: Tango Chronology
- Song Title Index
- Index
- References
18 - Tango, Emotion, and Transculturality in the Twentieth and Twenty-First Centuries
from Part IV - Interdisciplinary Tango Studies
Published online by Cambridge University Press: 15 March 2024
By
Book contents
- The Cambridge Companion to Tango
- Cambridge Companions to Music
- The Cambridge Companion to Tango
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Notes on Contributors
- Notes on the Text
- Acknowledgments
- Introduction: Tango Studies across Disciplinary and Geographic Boundaries
- 1 A Brief History of Tango
- Part I Tango Music
- Part II Tango Song
- Part III Tango Dance
- Part IV Interdisciplinary Tango Studies
- 14 Nineteenth-Century Afro-Argentine Origins of Tango
- 15 Synthesizing Analyses: A Choreomusical Study of “La cumparsita”
- 16 Mixed Messages: Tango and Argentine Politics
- 17 (Trans)national Visions: Tango Onscreen
- 18 Tango, Emotion, and Transculturality in the Twentieth and Twenty-First Centuries
- 19 Tango Studies Abroad: Gustavo Beytelmann and Codarts University
- 20 Tango and Healing: A Clinical Research Perspective
- Epilogue: Carrying Tango Studies into the Future
- Appendix: Tango Chronology
- Song Title Index
- Index
- References
Summary
Ethnomusicologist Yuiko Asaba provides a solid global view of tango. She examines tango’s transnational dynamics with historical and ethnographic approaches, and embraces themes of affect and transculturality between Japan and Argentina.
- Type
- Chapter
- Information
- The Cambridge Companion to Tango , pp. 314 - 330Publisher: Cambridge University PressPrint publication year: 2024
References
Further Reading
Asaba, Yuiko. “‘Folds of the Heart’: Performing Life Experience, Emotion, and Empathy in Japanese Tango Music Culture.” Ethnomusicology Forum 28, no. 1 (2019): 45–65.CrossRefGoogle Scholar
Tango in Japan: Cosmopolitanism Beyond the West. Honolulu: University of Hawai’i Press, (forthcoming, 2025).Google Scholar
Asaba, Yuiko. “The Reception of Tango and the Creation of Its Authenticity in Twentieth Century Japan: A Study from the Perspective of ‘Internalized Modernity.’” (「20世紀日本におけるタンゴの受容と「本場」意識の形成 — 内面化されたモダニティという視点からの一考察」) Popular Music Studies (『ポピュラー音楽研究』) 24 (2020): 3–15.Google Scholar
Heinonen, Yrjö. “Globalisation, Hybridisation, and the Finnishness of the Finnish Tango.” Etnomusikologian vuosikirja 28 (2016): 1–36.CrossRefGoogle Scholar
Howland, John. Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920–1944. Redwood City, CA: Stanford University Press, 2002.Google Scholar
Levine, Lawrence W. Highbrow Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1988.CrossRefGoogle Scholar
Moehn, Frederick. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Durham, NC: Duke University Press, 2012.CrossRefGoogle Scholar
Pearsall, Caroline. “Tango in Diaspora – An Argentine Abroad: An Examination of the Parisian Tango Music Community.” Master’s thesis, Royal Holloway, University of London, 2011.Google Scholar
Stokes, Martin. Republic of Love: Cultural Intimacy in Turkish Popular Music. Chicago: University of Chicago Press, 2010.CrossRefGoogle Scholar
Willoughby, Heather. “The Sound of Han: P’ansori, Timbre and a Korean Ethos of Pain and Suffering.” Yearbook for Traditional Music 32 (2000): 17–30.CrossRefGoogle Scholar