Book contents
- Frontmatter
- 1 Shakespeare’s life
- 2 The reproduction of Shakespeare’s texts
- 3 What did Shakespeare read?
- 4 Shakespeare and the craft of language
- 5 Shakespeare’s poems
- 6 The genres of Shakespeare’s plays
- 7 Playhouses, players, and playgoers in Shakespeare’s time
- 8 The London scene
- 9 Gender and sexuality in Shakespeare
- 10 Outsiders in Shakespeare’s England
- 11 Shakespeare and English history
- 12 Shakespeare in the theatre, 1660-1900
- 13 Shakespeare in the twentieth-century theatre
- 14 Shakespeare and the cinema
- 15 Shakespeare on the page and the stage
- 16 Shakespeare worldwide
- 17 Shakespeare criticism, 1600--1900
- 18 Shakespeare criticism in the twentieth century
- 19 Shakespeare reference books
- Index
4 - Shakespeare and the craft of language
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- 1 Shakespeare’s life
- 2 The reproduction of Shakespeare’s texts
- 3 What did Shakespeare read?
- 4 Shakespeare and the craft of language
- 5 Shakespeare’s poems
- 6 The genres of Shakespeare’s plays
- 7 Playhouses, players, and playgoers in Shakespeare’s time
- 8 The London scene
- 9 Gender and sexuality in Shakespeare
- 10 Outsiders in Shakespeare’s England
- 11 Shakespeare and English history
- 12 Shakespeare in the theatre, 1660-1900
- 13 Shakespeare in the twentieth-century theatre
- 14 Shakespeare and the cinema
- 15 Shakespeare on the page and the stage
- 16 Shakespeare worldwide
- 17 Shakespeare criticism, 1600--1900
- 18 Shakespeare criticism in the twentieth century
- 19 Shakespeare reference books
- Index
Summary
When Richard II banishes the nobleman Thomas Mowbray for life, it is not the loss of family, friends, property, or even country that Mowbray laments. It is the loss of language, or rather of his language, the language into which he was born: 'The language I have learnt these forty years, my native English, now I must forgo' (Richard II 1.3.153-4). Mowbray's anticipation of the loss - 'so deep a maim' (150) - turns banishment into as severe a penalty as execution: 'What is thy sentence then but speechless death, / Which robs my tongue from breathing native breath?' (166-7). To deprive a man of his language is to deprive him of life itself, for speaking is as necessary to life as breathing. As we learn later when his banishment is repealed, Mowbray does not long survive this death sentence. After having lived out his days in a venture requiring no English, crusading in the Holy Land against 'black pagans, Turks, and Saracens' (4.1.86), he retires to Venice and dies.
- Type
- Chapter
- Information
- The Cambridge Companion to Shakespeare , pp. 49 - 64Publisher: Cambridge University PressPrint publication year: 2001
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