Book contents
- The Cambridge Companion to Shakespeare and Race
- The Cambridge Companion to Shakespeare and Race
- Copyright page
- Contents
- Figures
- Contributors
- Note on Shakespeare Editions
- Chapter 1 Did the Concept of Race Exist for Shakespeare and His Contemporaries?
- Chapter 2 The Materials of Race
- Chapter 3 Barbarian Moors
- Chapter 4 Racist Humor and Shakespearean Comedy
- Chapter 5 Race in Shakespeare’s Histories
- Chapter 6 Race in Shakespeare’s Tragedies
- Chapter 7 Experimental Othello
- Chapter 8 Flesh and Blood
- Chapter 9 Was Sexuality Racialized for Shakespeare?
- Chapter 10 The Tempest and Early Modern Conceptions of Race
- Chapter 11 Shakespeare, Race, and Globalization
- Chapter 12 How to Think Like Ira Aldridge
- Chapter 13 What Is the History of Actors of Color Performing in Shakespeare in the UK?
- Chapter 14 Actresses of Color and Shakespearean Performance
- Chapter 15 Othello
- Chapter 16 Are Shakespeare’s Plays Racially Progressive?
- Chapter 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works?
- Chapter 18 Is It Possible to Read Shakespeare through Critical White Studies?
- Further Reading
- Index
Chapter 5 - Race in Shakespeare’s Histories
Published online by Cambridge University Press: 09 February 2021
- The Cambridge Companion to Shakespeare and Race
- The Cambridge Companion to Shakespeare and Race
- Copyright page
- Contents
- Figures
- Contributors
- Note on Shakespeare Editions
- Chapter 1 Did the Concept of Race Exist for Shakespeare and His Contemporaries?
- Chapter 2 The Materials of Race
- Chapter 3 Barbarian Moors
- Chapter 4 Racist Humor and Shakespearean Comedy
- Chapter 5 Race in Shakespeare’s Histories
- Chapter 6 Race in Shakespeare’s Tragedies
- Chapter 7 Experimental Othello
- Chapter 8 Flesh and Blood
- Chapter 9 Was Sexuality Racialized for Shakespeare?
- Chapter 10 The Tempest and Early Modern Conceptions of Race
- Chapter 11 Shakespeare, Race, and Globalization
- Chapter 12 How to Think Like Ira Aldridge
- Chapter 13 What Is the History of Actors of Color Performing in Shakespeare in the UK?
- Chapter 14 Actresses of Color and Shakespearean Performance
- Chapter 15 Othello
- Chapter 16 Are Shakespeare’s Plays Racially Progressive?
- Chapter 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works?
- Chapter 18 Is It Possible to Read Shakespeare through Critical White Studies?
- Further Reading
- Index
Summary
This essay explores the significance of genealogy and inheritance in Shakespeare’s history plays; specifically, the idea that national and racial characteristics were passed down through the generations in the blood. The word "race" is often applied to peoples produced by the intermingling of different lineages and with different characteristics. The essay shows that such issues were important not just for royal dynasties but for the people they ruled, as is demonstrated through readings of King Henry V, King Richard II, and King John. When races are imagined in such ways the word "bastard" assumes particular importance, as the progeny of two different people(s) taking on new characteristics from a combination of those of the parents. Shakespeare demonstrates in his English history plays that nations and races are never pure, but are always intermingled, compromised, revitalized, and constantly transformed by their union with other peoples, especially the neighbours in terms of whom they define themselves.
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- The Cambridge Companion to Shakespeare and Race , pp. 62 - 76Publisher: Cambridge University PressPrint publication year: 2021
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