AESTHETIC CONTEMPLATION: A PRELUDE

Schopenhauer devoted more than one-quarter of his principal work, The World as Will and Representation, to aesthetics. The chapters on aesthetics occupy the third section in both volumes of that work and depend for their clarity as much on the metaphysical theory that precedes them as on an acquaintance with the particular arts discussed. For Schopenhauer, genuine aesthetic experience, though rare, leads directly to an apprehension of metaphysical truth, to the core of genuine knowledge. This emphasis on aesthetic experience in obtaining knowledge is unusual, however, for by the middle of the nineteenth century the epistemological authority of the scientific method was pervasively secure throughout Europe.

No stranger to the empirical scientific disciplines, Schopenhauer began higher studies in a faculty of medicine and made progress for more than two years before switching to philosophy, which would become his life’s work. Although he insisted on separate emphases for science on the one hand and philosophy on the other, Schopenhauer nevertheless felt it prudent to corroborate his metaphysical claims by attempting to show their appearance in phenomena validated through scientific observation.