Riffing on the narcissism of male grooming, Devin Garofalo discusses the Romantic impulse to “manscape” – that is, to “read… a culturally specific conception of the human into the landscape such that it is invisibilized as the world’s structuring principle.” This culturally specific conception of the human, she clarifies, building on the pathbreaking work of Sylvia Wynter, is that of man as a bourgeois colonialist, a tamer, and a conqueror. He is Hannibal and Napoleon and the Wordsworthian poet all in one. The Romantic nature poem that is the hallmark of early nineteenth–century poetry, then, recruits the ecological imagination as it consolidates and eradicates all threats to whiteness.