Book contents
- The Cambridge Companion to Rhythm
- Cambridge Companions to Music
- The Cambridge Companion to Rhythm
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Overview of Rhythm
- Part II Performing Rhythm
- 3 Visualizing the Rhythms of Performance
- 4 A Percussionist Understands Rhythm in Five Essays of Exactly 1,000 Words Each Not Including Titles and Subtitles
- 5 A Different Kind of Virtuosity
- 6 Conducting Rhythm
- Part III Composing with Rhythm
- Part IV Rhythm in Jazz and Popular Music
- Part V Rhythm in Global Musics
- Part VI Epilogue
- Select Bibliography
- Index
6 - Conducting Rhythm
from Part II - Performing Rhythm
Published online by Cambridge University Press: 18 September 2020
- The Cambridge Companion to Rhythm
- Cambridge Companions to Music
- The Cambridge Companion to Rhythm
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Overview of Rhythm
- Part II Performing Rhythm
- 3 Visualizing the Rhythms of Performance
- 4 A Percussionist Understands Rhythm in Five Essays of Exactly 1,000 Words Each Not Including Titles and Subtitles
- 5 A Different Kind of Virtuosity
- 6 Conducting Rhythm
- Part III Composing with Rhythm
- Part IV Rhythm in Jazz and Popular Music
- Part V Rhythm in Global Musics
- Part VI Epilogue
- Select Bibliography
- Index
Summary
The great conducting teacher Hans Swarowsky told his students at Vienna’s Academy of Music and Performing Arts that a conductor has only three jobs: start the piece, make any changes within it, and finish it. Indeed, certain elements of time keeping would seem to render that task in conducting rather simple.
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- Information
- The Cambridge Companion to Rhythm , pp. 90 - 94Publisher: Cambridge University PressPrint publication year: 2020