This chapter investigates Plato’s thoughts on poetic creativity by tracing a path from a traditional divine inspiration view to a new kind of inspiration, which transforms the poet into a philosopher. The path begins with divine inspiration in the Ion, then turns to the power of public poetry in the Gorgias. Next is the beginning of a new conception of poetic creativity in the Symposium. By considering poetry as a kind of communication between a lover and the beloved, Plato views poetry as a basis for a philosophical ascent to the Form of Beauty. In the Republic, Plato emphasizes further the power of poetry by classifying traditional poetry as a degraded kind of imitation. He highlights its power to corrupt the listener by strengthening irrational emotions. In the Phaedrus, Plato extends his notion of poetic creativity to linguistic communication in general, thereby developing further his notion of philosophical communication as a creative force generated by love. In the end, Plato pulls together both his denunciation of traditional poetry and his new conception of poetic creativity by offering a new type of public poetry in the Laws, consisting ultimately of his own body of laws.